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Hanna-Mae Illustration

Illustrator & eco clothing designer

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painter

Three to see!

As my blog followers will know, I love to find enthusiastic artists out there and give them a bit of exposure here. There are so many talented individuals out there whose work just needs to be seen and shared! As I’ve been working on my large Mabinogion piece (if you missed the post about this you can find it here: link) I decided to have a dig on Deviantart (you can follow my account here: hmwillustration) for some Celt-inspired work and came across some superb pieces. It was difficult to narrow down my favourites but after much deliberation I’m sharing my top 3. Be sure to check out each artist’s profile, or better still let them know what you think of their wonderful work! Please remember that the copyright belongs to the artist.

 

1

Roberto Pavic  (DeviantArt name: roblfc1892)

Roberto has been a member of DeviantArt for many years and his gallery is full of interesting photography and tattoo designs. He has a whole gallery folder dedicated specifically to Celtic tattoo design, with my favourites being his Celtic dragons. Also look out for the exquisite ‘Swallow’ and ‘Ravens’.

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2

Rachel Arbuckle (DeviantArt name: CelticArt)

Rachel is from Italy and has a love of Gouache paint. Her gallery is entirely dedicated to Celtic designs and is a treasure trove of intricate work. Below is one of my favourite pieces, titled ‘Twelve Days of Christmas’.

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3

Lucie Ondruskova (Deviantart name: LucieOn)

Lucie is from the Czech Republic and works a lot with watercolours. Her gallery has a collection dedicated to her ‘Knotworks and Patterns’ which are made truly unique with her interesting application of watercolour and small additional details. Below is ‘Celtic Butterfly’, just one of many beautiful pieces of subtle knotwork.

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Next week i’ll be posting my usual ‘Monthly Tutorial’. This time I’ll be showing you how to develop your ideas.

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Creative chaos!

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Chaotic! That’s the best way to describe my creativity lately, flitting from one project to another depending on my mood. I’ve been in search of inspiration in many areas, from spending time in beautiful natural spaces (which often stirs something in me) to searching pinterest for art, sewing, interiors, and everything in between. I’ve been re-visiting pieces and photographs, working on my seascape (yes, finally tackling it again) and searching my photo file to create a ‘thank you’ piece for a kind health professional.

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That’s one tip I’d give anyone embarking on learning/developing artistic skills: compile a reference image folder. That way, when the feeling to draw/paint strikes, you only have to reach for your file for inspiration. Mine is divided into sections: places, people, flower/plants and misc. It also encourages an interest in photography, and is a way to capture a little part of your day. I often carry my digicam with me, even if I’m going somewhere familiar. The beauty of natural spaces and even man-made spaces/views is that things are constantly changing, so there’s a constant supply of new material to work with.

Sewing-wise I’ve been letting my creativity have free-rein, and have been creating a colourful panelled skirt with bright colours, beautiful patterns, and those little details that bring a piece together. I found the perfect fabric which I immediately saw the potential in the moment I set eyes on it.

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Although my clothing project is a little behind where I’d initially planned by this point, I’ve decided the best route to take is to take my time making and researching, and to try to enjoy the creative process, which is in keeping with my objective to be more ‘in the moment’.

 

 

A confession…

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I have a confession…one that may surprise those who have never met me…I struggle to eat. What most people would find appealing, and indeed class as ‘every day’ foods; noodles, toasties, curry, spaghetti, you name it, I probably don’t eat it. But in the interest of my health, which determines how much energy I have to work on what I love – art & design – I’m embarking on a quest (yes, this challenge feels so monumental that I feel justified in labelling it in such a way!) to challenge the compulsion that finds me reaching for the exact same foods every day.

I’m inviting you, my readers, to follow me on my journey to discover and create nourishing vegan recipes to support both body and mind. Veganism and vegetarianism has always been an influencing factor in my life, fuelling my interest in creating eco-friendly clothing, and using our natural world as inspiration for a great deal of my artwork. In next month’s ‘tutorial’ spot, I’ll be bringing you the first recipe instalment – vegan sushi. In the mean-time, here’s a list of some inspiring and useful vegan-related sites:

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Vegan Huggs – A blog packed with recipes, reviews, and more!

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Wear Your Voice – A website I’ve mentioned before where a passion for art meets a passion for animals, with truly unique illustrations printed on to t-shirts.

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Vegan Supermarket Finds UK – A super useful facebook group run by vegans, for vegans, where you can share your surprising vegan finds, as well as get some great tips on where to find all manner of vegan goodies!

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In the interest of keeping myself distracted whilst re-building my strength, I’ve been revisiting a seascape I began last year, yet lost the motivation for. Well the itch is back! and I’ve been compelled to dip in here and there. The tones of blue in the sea are proving to be a source of intrigue, as they’re not as straight-forward as they may seem; in order to achieve one elusive tone, I found myself cautiously mixing phtalo blue, cobalt, a tiny dot of ivory black, and an atom of yellow ochre, before deciding to substitute the black for burnt umber.

The relationship between colours and how they combine fascinates me! Explaining to those who don’t practise art that a blue can contain  brown, black, and even ochre, feels as though I’m revealing some clandestine key.

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Whilst my home studio is a base for all my inspiration and tools – my pattern folder, old art/craft magazines, art postcards etc, over the years I’ve grown fond of inhabiting a quiet corner of a library – a haven from home. This week I’ve been squirrelling away in the reference section (often good for exquisitely illustrated nature books) trying out Derwent Inktense pencils and making notes for next month’s review.

Costing £29.99 in the Range (£40.75 on Derwent’s website) for a tin of 24, it;s understandable you’d want to ‘try before you buy’, which is where I’ve done the work for you! Look out for the full review next month, which as always will be straight to the point and up-front.

 

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Finally, I want to tell you about the Winter Exhibition at Y Galeri Caerffili, which is displaying a whole range of styles and mediums, and at which my piece ‘One For Sorrow’ is currently on show. The exhibition will run all this month and directions can be found on their facebook page: Y Galeri Caerffili facebook. If you can’t make it in person, you’ll find some images of the artwork on display on their page and on the website.

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‘One For Sorrow’, graphite & oils, Hanna-Mae Williams

 

Monthly Review: ‘Your Gallery’ Newport

What: ‘Your Gallery’ exhibition

When: Now – 20th January 2017

Where: Newport Museum & Art Gallery 

Admission: Free

About: This summer the public were invited to choose their favourite pieces from the gallery’s stored collection, which is comprised of over 200 pieces of artwork. The choices were put together to create the ‘Your Gallery’ exhibition, including a ‘young choice’ section.

What became blatantly obvious to me was that this was such an eclectic mix of styles! From the more traditional, idyllic scenes by the likes of Stanhope Forbes, to more contemporary and risque pieces such as ‘The Foolish Virgin’ by Gerda Roper, and Mary Fedden’s ‘Maltese Town’ which displays shapes and colours so bold and in contrast with the more reserved offerings. This can only be a good thing, as the collection is not tailored to one specific taste, but offers a plethora of variety, making it appeal to a wider audience.

For those who appreciate technical skill, there are a number of works that demonstrate precision and explore perspective. ‘Newport from George Street Bridge’ by John Meredith is the perfect example of painstaking still life work, with the shapes of the buildings and bridge almost being an homage to architecture, rather than the cityscape. However, one painting which I found myself unsure of was ‘Balloon Barrage’ by George Phillis. This piece in particular fixed my attention. Whilst the shapes boast of accuracy and obvious care, with structures being easily recognisable for what they are, there was something peculiar about the perspective that I couldn’t quite put my finger on; there seemed to be almost a flatness to the lower half of the painting, adding to the slightly surreal angle put on what would ordinarily pass as an ‘ordinary’ scene. The fact that Phillis uses an interesting colour gradient in the sky (orange to yellow, ascending eventually to vibrant blue) combined with a sight we’re not used to in our modern world (Barrage Balloons were commonly seen during the war over cities) makes the painting more than just an observational painting, but conjures some extra depth.

Phillis’s work isn’t the only to make use of colour though, with a particularly striking piece called ‘ Rhondda Sunday’ by Nan Youngman being a prime example of how tone and colour can be used to create an atmosphere. Youngman uses muted tones to convey with perfection the depressing atmosphere of the street. You can almost feel yourself stepping into the soaked street.

In addition to appealing to varied tastes, I also liked the inclusion of explanations on why each piece was chosen. I found it particularly pleasing that one was chosen by someone who had studied at Newport’s old art school, which has now been converted to apartments. I also feel the inclusion of a ‘young people’s’ area was a lovely touch, particularly as I feel art and creativity should feature more in education.

Elsewhere in the gallery (which is limited in space, yet makes the very best of it) there’s the unmissable video/audio space which shows the work of artist David Garner. His exhibition, titled ‘Respond’, was inspired by coins in the museum’s Chartism area. His piece titled ‘Pennies for the People’, which is a chandelier made using two pence coins stamped with words relating to austerity, is shown hanging in the Chartist Cave, Llangyndir, accompanied by admittedly the most unique and offbeat harp music I have heard to date. Rhodri Davies uses music to convey feeling, and I was not surprised to learn that the piece was improvised. Truly from his feelings.

David Garner’s coin chandelier can be viewed downstairs in the museum in the Chartist area, a choice which I feel to be beneficial (as opposed to being on display in the gallery area) as it encourages the viewer to enter into the history of Newport and fully appreciate where Garner is coming from.

Although the exhibition is one of the best I’ve seen in Newport over the years, there were small details that I felt were missing. It would have been valuable to have included the mediums used in each piece (although it’s always fun to look at the textures and make a guess!) and information leaflets like those used to describe David Garner’s work would have been appreciated. However, the desk staff are always more than happy to talk you through the exhibitions and a brief description is displayed on a wall.

Unfortunately if you’d like to purchase a souvenir of the exhibition you won’t find it. As a self-confessed art postcard hoarder, I would love to have been able to bring home a reminder of the wonderful work as I do when visiting any gallery. The exhibition is small and you will only need to put aside an hour to have a real good delve into the art and museum. However, if you’re passing, or visiting the city, it’s worth a look.

 

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Creativity inspires creativity

‘House by the Railroad’, ‘Girl with a Pearl Earring’,’The Goldfinch’…what do all these paintings have in common? The fact that they inspired someone enough to fuel their own inspiration, and create a whole narrative.

Over the past two weeks I’ve been considering the way in which we view art and allow our thoughts and impressions to create meaning beyond that intended by the artist. It cast my mind back to my dissertation, titled: ‘Forms of perception: To what extent does our physiology influence our interpretation of symbolic images in comparison to learnt cultural influences?’It’s interesting to see how one persons interpretation of a scenario can differ so vastly from another, which is exactly what happened last week when my writing group was presented with Georges Seurat’s ‘A Sunday on La Grande Jatte’ (1884).

A Sunday on La Grande Jatte - 1884
Seurat,1884,source link

With the majority of us having limited background knowledge on the piece (therefore being influenced  by contextual aspects only to a very small degree) the way in which each individual ‘read’ what was happening in the scene differed from person to person.

Last week I took you on a tour of my work space, including my ‘inspiration wall’, which contains many art postcards. The images that make it to my wall all have one thing in common: they take me somewhere else. They’re not just images, they’re visual stories which set my mind on a path to either imagined places, or evoke a feeling or memory. Below are some wonderful works from very talented artists whose work sets you wondering about the story behind the image. (Please click title links for full size and additional info)

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‘Dark Forest’

Nick Tripiciano

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‘Under the Table’

Dario Mekler

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‘Tribute to Debi Bismarck’

Dustin Panzino (Inkwell Illustration)

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And my own work open for interpretation: ‘One for Sorrow‘ Oil & pencil.

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Did you guess the books/movie linked with the artwork mentioned in the beginning?

‘House by the Railroad’ 1925 by Edward Hopper is said to have inspired the Bates house in Psycho.

‘Girl With a Pearl Earring’ 1665 by Johannes Vermeer inspired the novel of the same name by Tracy Chevalier and was later turned into a film.

‘The Goldfinch’ 1654 by Carel Fabritius inspired the book of the same name by Donna Tartt.

Monthly Review – paintbrush cleaners

paintcleaners

What put me off oil paints initially was the fight to get my brushes truly clean. I tried a few tips (and stained a few sinks!) before finally discovering what worked best for me. I used to keep a set specifically for using oils and always found there’d be trace amounts of paint left behind on them,tainting the colour I was trying to create. Some people swear by washing up liquid, but as I often work with small brushes for fine detail, I find the condition of my brushes just as important as the removal of paint. In this months review I’ve brought you three of the best conditioning cleaners, their strengths, downfalls, and where to get your hands on them!

cleaner1

Name: Water washable oil brush cleaner

Brand: Daler Rowney

Price: £5 – £6:50

Stockists: Jackson’s Art Supplies

Rating: 3.5/5

Benefits:

  • Low odour (solvent free)
  • Biodegradable
  • Conditions brushes whilst cleaning, using natural oils

Negatives:

  • Slightly tricky to pour (if pouring into smaller pot)
  • Can separate slightly
  • No longer stocked in high street stores such as Hobby Craft/The Range

How to use: As this can slightly separate be sure to shake first, then pour a moderate amount into a smaller pot. Wipe excess paint off your brush using tissue/paper towel before swirling your brush around a few times in the cleaner. Tap off excess before swirling in a jar of water and drying on paper towel.

cleaner2

Name: Turpenoid Natural

Brand: Weber

Price: £5 + depending on size (236ml shown in photo)

Stockists: Jackson’s Art Supplies , Amazon

Rating: 4.5/5

Benefits:

  • Low odour
  • Doesn’t separate
  • Conditions brushes whilst cleaning
  •  Nontoxic
  • Can double as a medium

Negatives:

  • No longer easily available in high-street stores such as The Range/Hobby Craft
  • Tricky twist cap (though good if you have inquisitive children!)

How to use: I pour a little into a separate pot, wipe the excess paint off the paintbrush wish paper towel, then swirl the brush a few times in the cleaner. You can either wipe with a paper towel and carry on, or swirl in water then dry (as I do)

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Name: The Masters Brush Cleaner and Preserver

Brand: B&J

Price: £4+ depending on size (Available in 4 sizes, 75ml shown in photo)

Stockists: Pegasus Art , Jackson’s Art Supplies , Amazon

Rating: 4/5

Benefits:

  • Suitable for all paints, not just oils
  • Conditions brushes whilst cleaning
  • Beautifully presented
  • no odour
  • Cleans incredibly well

Negatives:

  • One of the pricier cleaners
  • Some waste, as you have to wipe away left over paint grime from the top

How to use: Wipe off excess paint from brush, swish in water then carefully rub in circular movements on the solid block of cleaner. Swish brush in a clean jar of water before drying with a paper towel.

winner

And the winner, by the tiniest whisker is… Weber Turpenoid Natural! Whilst I noticed how conditioned my brushes were, and how well The Masters Brush Cleaner and Preserver cleaned my brushes, I found Turpenoid Natural lasted longer and cleaned just as well. However, if you’re looking for a universal brush cleaner, as opposed to just oil cleaner, I would highly recommend giving The Masters a try.

Happy painting!

 

psst! Now that you’ve got the cleaning up afterwards sorted, why not head on over to these tutorials for some inspiration?

Painting clouds with oil paints

Treetorial

 

 

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