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Hanna-Mae Illustration

Illustrator & eco clothing designer

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Monthly tutorial: How to have a greener Christmas

Although for many this time of year is one of the most exciting, it’s also one of the most wasteful. It’s lovely to see the beautifully wrapped gifts under the tree, and the sparkling decorations hung everywhere, but so much of it eventually ends up in the bin. Unfortunately not all wrapping paper can be recycled (you can read more about this on recyclenow.com, which also has a handy search tool to find your nearest local recycling centre!) and plastic can take hundreds of years to biodegrade. Recycle what you can, but if you fancy getting a bit creative, today I’m going to give you some ideas on how to give your wrapping paper and broken decorations a second life.

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Beaded Christmas jumpers, beaded tree decorations…we’ve all had that moment where somehow they catch on something and suddenly beads are scattering in all directions! Instead of chucking them in the bin, save them and make yourself a brand new decoration! These make wonderful gifts, especially as each is guaranteed to be unique! It’s worth saving little metal charms etc that sometimes come on posh packaging as these can be used too!

Upcycled hanging decorations

You will need:

♥ Jewellery-making pliers/wire cutters (an investment if you’re thinking of making jewellery/decorations in the future. You can get these from most craft shops and online)

♥ Collection of beads/charms

♥ Moderate thickness wire (you can double up beading wire but I like to use florists wire)

♥ Thin ribbon

 

Start by cutting a length of wire. Mine is around 19cm (you’ll be cutting the excess off later, it’s better to have too much than too little as this can be amended)

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It’s good to work out a ‘pattern’ for your beads, for example ‘big  bead, small bead, medium bead, big bead, small bead, medium bead… etc. Bend your wire a little so the beads don’t fall off the end.

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Keep going until you reach the desired size and can make a small circle.

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Slide the right-hand bit of wire through a few of the beads on the left and pull lightly so you have a complete circle.

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Now you need to secure things. Tightly twist the bit of wire on the left around the straight wire that the beads are threaded on a few times, then snip off the excess wire. Slide the beads over to disguise it.

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Do the same with the other side until you have a complete circle.

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Now’s the time to add your charm. If you can see a bit of wire, this is your chance to disguise it. Fold your ribbon in half and slip it through the loop on your charm.

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Put your ribbon through the circle, with the folded half facing you and slip the untied side through the loop of ribbon, like below.

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You need to secure your charm into place, so gently pull the ends of ribbon through the loop until it’s quite tight and the charm is hanging down.

Now you can tie the ends of your ribbon so you can hang your decoration.

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This ‘pattern’ is really versatile and can be adapted to use up what you have. You can use broken earrings, broken necklaces, and you don’t even have to limit it to just Christmas! You can use any colour beads you have to create summery, girly, gothic, any style of decoration to suit your taste and hang them in your car and around your home.

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Wrapping Paper Inspiration

There are so many ways you can reuse wrapping paper too! Here are just a handful of ideas:

♦ Wrap boring notebooks with it to transform into interesting stationery

♦ Shred it and reuse as colourful gift shred

♦ If your new year’s resolution is to learn a new craft why now try origami? The colourful papers make beautiful decorations!

And finally, as someone who loves making unique clothes out of upcycled/recycled materials, next month I’ll be showing you how to make your very own paper beads! They’re fun to make and you can get really creative incorporating other materials.

Merry Christmas everyone and as we say in Wales: Nadolig Llawen!

 

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Tis the season…to get creative

Here in sunny Wales it’s been raining for over a week! Although soggy strolls with my dog and taking refuge in coffee shops have been welcome excursions out of the house I’ve been enjoying finishing off my Christmas card design. I’m happy with the finished product and am eagerly awaiting the arrival of my order from the printers.

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Final card design, water mixable oils.
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Edited design 1 (pre-made digital background)
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Edited design 2 (pre-made digital overlay/text)

I feel it was worth taking time over the colour palette as it all ties together nicely. If you missed last months tutorial: ‘Developing your ideas’ you can read about how to tie all your ideas together: link

As my old neighbour (‘old’ as in from my previous home) has been so kind to me this year I decided I would also get a mug printed using my design and give it to her as a Christmas gift.

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Now that I’ve got my Christmas cards sorted I’m focusing on a sewing project for my best friend’s nephew. I finally have an excuse to use up the stash of felt sheets I’ve been hanging on to for a while and am working on hand-sewing a personalised pouch (with lion pocket on the front) filled with wild animal finger puppets.  So far I’ve finished an elephant, a panda, and a tiger. As a long-term vegan I feel it’s important to know all about what I’m using; where the material/food/cosmetics etc I’m using are sourced and the process behind creating them. As some of you may know vegans generally avoid using any animal-related products, one being wool. It’s up to each individual what they choose to avoid/use but I believe in the importance of making informed decisions. You can read all about wool and the ethical issues behind it in my up-front guide here (click to view) : ‘Loom knitting for beginners and your guide to ethical knitting’

Although I’ll be using my own cards this year I have purchased a special one from a talented individual for the owners of a gorgeous little cockapoo who my own dog is in love with! The likeness is uncanny and if you’re looking for some unique dog-inspired art or cards for that dog lover in your life then MindfulDogCo is the shop for you! Run by the talented Imogen who’s based in Southampton, you can find her online shop here: link

 

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Christmas card from MindfulDogCo

Christmas is such a wonderful excuse to get creative, from card making to baking and making your own gifts. Next week I’ll be showing you how to use your leftover wrapping paper and turn it into something beautiful!

 

Happy creating!

Creative gifts: My favourite five

Christmas is just around the corner so today I’m going to bring you a little bit of inspiration, thanks to some very talented artists and craft enthusiasts. I always like to support small businesses and individuals and as these items aren’t mass produced the recipient of your gift will be getting something truly special and more personal. Click the name to be taken directly to the shop.

My Favourite Five

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Lyndsey Green Illustration

Rabbit Illustration eco tote bag, £8

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Aside from the fact that this is a fantastic illustration (and perfect for any animal lover) I also love the fact that this bag is eco friendly. Delivery is just 95p.

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Artwork by Angie

Dog illustration print, £14

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As a dog lover this really appeals to me. I love the cheerful colours and humorous caption too. This would be great for someone who has a dog. Postage is free.

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Casey Illustration

Watercolour robin illustration print, £6

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I just had to include this! I think this has so much character and is really unusual. You’ll also find a selection of printed gift tags in Casey’s shop. Postage to the U is free.

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Lyndsey Green Illustration

Red fox cushion, £20

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This is one of Lyndsey’s illustrations printed on a faux suede cushion (so perfect for art-loving vegans!). It’s also available on an eco cotton bag. Postage is a reasonable £1.50.

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Inkishop

Dog mug, £10

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I love everything in this shop! From the quirky tote bags, to the adorable cards and mugs, they’re all quirky and guaranteed to bring a smile to any animal lovers face! Postage £4

 

 

Monthly tutorial: Developing your ideas

This month I’ll be guiding you through how to develop your ideas. For me, this part of the creative process is just as important as the creating itself, as it’s the pre-planning that forms a solid foundation for my work. So let’s get stuck in…

‘Where do I begin?’

If you’re working towards a brief (if you’re studying art/design at GCSE onwards this word will become familiar to you and you’ll hear it often) then you have a good starting point. Read it carefully and make bullet-points or highlight exactly what it is you need to fulfil. Are you designing a Christmas card? A design for packaging? Does the brief state what style/feel they want? The more information you have the easier it is to generate ideas. Starting a self-led project from scratch can be difficult because every decision you make has to be your own and a successful design isn’t usually created by just picking up your paintbrush straight away without any blueprints. If you don’t have a brief, set yourself one. Write down briefly what you want to create, who/what it’s for and what sort of style you want. For example, I’m creating a Christmas card design, it’s for my family and friends, and I’d like it to convey warmth and cosiness and be in a cute illustration style.

‘What next?’

Now you’ve got your basics you need to build on this. Your task is to convey your meaning successfully. It can help to make some notes (I like to do colourful spider diagrams) to get any ideas in your head down. Let’s use my brief as an example. It’s for Christmas so I’d write down all the things I associate with Christmas, for example: holly, mistletoe,family get togethers, gifts, snow, stars etc. Do the same for the other important messages behind your intended design, in this case ‘warmth and cosiness’, which made me think of things like: blankets, thick coats/jumpers, fireplace, hot drinks etc. You’ll have quite a bit to work with by the end of this idea outpouring, so you need to narrow it down and decide which elements you think will work well together or excite you most.

Next steps…

Once you’ve decided what you’d like to include it’s time to pull the pieces together. How are you going to put these elements together in a way that’s natural and pleasing to the eye? It can help to do a bit of research at this point, see what other artists have done, and how they’ve gone about positioning things. If you’re designing a greeting card it can be really useful to browse card selections in shops. Bear in mind the message you want to communicate and work around this. For me, I wanted my design to be ‘soft’, which means soft, rounded shapes that curve and flow, rather than sharp edges. This is why I chose to position my chosen features (poinsettias, mistletoe etc) in a circular wreath and made my character rounded. Collecting images and making a small inspiration board to refer back to can be really helpful. When designing my Christmas card I collected a few photos of poinsettias and hedgehogs and worked from these, remembering my desire for ‘softness’.

 

 

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I like to do rough sketches of each element I plan on using before bringing them all together. I knew I wanted to include a hot drink in my design so I sketched a couple of versions of this until I found a version I was happy with. I like to make notes next to my sketches, for example, I wanted my hedgehog to be more rounded, so I wrote a note to remind myself ’rounder’. It’s ok for your rough work to be messy, no one will see this stage, this is your chance to get all your ideas down and play around to see what works.

Colour!

When you’re happy with your sketches and have decided the layout of your design it’s time to think about colour. Some colours work harmoniously and this is what will be most pleasing to the eye. Have a think about what sort of message you’re intending to send with this design, do you want it to feel cold and wintery for example? (in which case you’d consider cool colours) or warm an cosy? (in which case you’d consider warmer colours). For my design I wanted warmth but also to continue the feeling of ‘softness’. For this reason I chose not only warmer colours but quite muted versions of these colours. By this I mean I didn’t choose just orange, I chose a more burnt orange. A lot of the colours I chose I had to mix with colours such as burnt umber, burnt sienna and ochre to get that muted tone. I’m a huge fan of building yourself a collection of paint sample cards for use in your art/design planning. Get a file and get in to the habit of picking up some sample cards/booklets any time you find yourself in or passing a DIY/home shop. You can also just pay a visit to one when you have your colours already in mind. If you know you want cool colours, go and pick up sample cards just of these. You can do this for each project. I then hold colours I think I want to use next to each other and decide which appear most harmonious. When you’ve chosen, stick them to your rough sketches so you have a guide of what goes where. As you can see below, I’ve assigned colours to various parts of my character.

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Starting your final design

Before starting your final design it’s useful to work out sizing and most of the time I like to have a complete rough version with everything in place. Once you know where everything is going and how large it needs to be, it’s time to select your paper and begin. You can read about selecting the right paper in my guide: ‘Choosing the right sketchbook‘.  I chose to use fine grain heavyweight paper as I wanted a hint of texture as well as a paper that could hold oils well. Once you’ve transferred your design, you can begin adding colour. What medium you use is up to you but it’s essential to use paper that can handle your medium (see my mentioned guide, above, to read more about this).

As you can see on my rough pages, I’ve mixed my colours and tested them next to the samples before applying them to my piece. It’s a good idea to have some scrap paper nearby to test your colours on, particularly as they can appear different on your palette than on your paper. Some colours can dry lighter, some darker.

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I’ll be revealing my own complete design next month and kicking off December with some unique, creative gift ideas for you!

Happy creating!

Monthly review; Lady Cottington’s Pressed Fairy Letters

Title: Lady Cottington’s Pressed Fairy Letters

Authors/illustrator: Brian Froud, Ari Berk

Price: From £8 – £160 first edition

Where to buy (UK): Amazon, ebay, Waterstones

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This is one of my most treasured Froud books in my collection, possibly because it really stands out from the others. What makes this book so unique is the interaction the reader has with it. Each page is filled with Froud’s distinctive fairy illustrations, but also draws the reader/viewer in by having all sorts of interesting attachments. From ‘handwritten’ pull-out letters, to envelopes containing quaint surprises, this book encourages exploration by the reader, involving another sense (touch) rather than the usual individual sense of sight (though I must admit I’m a fan of the smell of new or very old books…I know I’m not alone in this!).

As with many of Froud’s book the creativity and attempt at authenticity doesn’t stop with the artwork. The text itself could be argued to be a work of art in itself. Throughout we’re treated to a range of interesting fonts, from beautiful italic handwriting to calligraphy-style work. One thing that Froud never fails to do is draw his audience in. It’s almost as if he believes these wonderful scenarios and worlds he imagines. I love the dedication to making the book and backstory seem as authentic as possible, it shows Froud’s utter enthusiasm for his work.

Much like his other books the target age for this book is debatable. Whilst fairies and similar subjects are often thought of as geared more towards children, Froud’s work always seems to fall into this ageless space. I can imagine children and adults alike enjoying this hands-on book. That being said, for the very reason that it is hands-on this book isn’t suitable for very young children as delicate pull-outs may be easily torn/damaged. Some understanding and prior-knowledge is also needed to understand the basis of this book. Many adults will be familiar with the true story of the girls who, in 1917, took ‘real’ photographs of fairies in Cottingley, England (which were later exposed as being fake). The book is intended to be a ‘scrapbook’ of the girl in the famous photograph, named Angelica Cottington. As mentioned in last month’s review of Froud’s ‘A Field Guide to Goblins; The Goblin Companion’, whist wonderfully elaborate the story can be difficult to follow, particularly for younger readers. For this reason I’d recommend this book for older teenagers on wards, however I’m sure children would love to be shown the quirky illustrations and would delight in the pull-outs being demonstrated (do take note that some fairy poses are quite cheeky though! Parents may want to flip through and judge for themselves first).

Price-wise this book is affordable and I personally feel that the joy I get from revisiting this book again and again is worth every penny paid. I’d recommend this book to anyone with an interest in illustration, other worlds, and those young at heart.

 

TIP: If you like this book there are other Lady Cottington books, which are available in Waterstones. You can see the whole collection on their website here: link

Monthly tutorial: Halloween treat bag

Halloween is coming up so this month I’ll be showing you how to sew your own mini drawstring treat bag. As my blog followers will know I’m a huge fan of recycling/upcycling material (take a look at my eco wear: link) so when I was given a stash of random bits of material I was keen to get stuck in and get sewing again. I hand-sew all my items as I like the control and the feeling that i’m really engaging with what I’m doing. I also feel that hand sewing can be therapeutic due to the repetitive motion and concentration it requires but this bag can be done using a sewing machine if you don’t have much time. Some materials are easier to work with than others. Generally speaking thinner cotton fabric is quite easy to work with. The spiderweb material I used had a lycra-esque quality to it which made it difficult to work with, for this tutorial I recommend sticking to non stretchy fabrics.

You will need:

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♦ A cutting mat (optional but useful!)

♦ Fabric scissors

♦ Fabric marker/pencil

♦ Pins

♦ Sewing needle

♦ Cotton thread (in colours matching your material)

♦ A piece of material measuring at least 32 x 18 cm

♦ A piece of contrasting material measuring at least 32 x 8cm

♦ 2 pieces of ribbon approx. 32cm

Step 1

You’re going to need to cut out two pieces of material for the main part of your treat bag. Using a fabric marker/pencil, mark out two rectangles measuring 16 x 18 cm and cut out.

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Step 2

For your casing you’ll need to cut out two rectangles measuring 16 x 8cm.

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Step 3

To give a neat edge, fold shorter ends of your casing over 1cm and pin in place before sewing. I used basic backstitch.

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Step 4

Pin your larger pieces of fabric together around three edges (2 long edges,1 short) with the wrong sides facing. Sew with 1cm seam allowance and turn the right way.

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Step 5

Take your casing pieces and fold in half so you can see the neat side of your stitching. At this point if you have time it’s good to press your pieces with an iron but as I had limited time I skipped this step. It just makes your material more well behaved and neat. Pin your folded pieces to the top of your bag (raw edges at the top)

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Step 6

It’s up to you how far down you wanht to sew, the further down you sew the less of the contrasting material you’ll be able to see and bear in mind you’ll need to be able to get your ribbon through. As I had a gap at the top of my material where the spiderweb pattern stopped I chose to sew quite low down, just above half way but anything 1cm or over is fine (providing you can fit your ribbon through).

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Step 7

Turn your casing in. This is also a good time to press your material to keep your joins/edges crisp. Please remember that some fabrics can only be pressed at a very low heat though! Stretchy fabrics can actually melt. If you’re using cotton as recommended this isn’t a problem.

Step 8

Attach a safety pin to the end of your ribbon and feed it through the gap you’ve made with the casing.

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And there you have it, your own unique Halloween treat bag! This pattern is so versatile, it can be used for any occasion, including Christmas and birthdays. You can alter the sizes to make a smaller or larger bag and is a great way to use up scraps of fabric.

Happy Halloween everyone!

Quick book review: Illustration Workshop

This month I’ll be reviewing a book I got in the summer; ‘Illustration Workshop’ by Mary Kate McDeritt.

 

Full title: Illustration Workshop: Find your style, practice drawing skills, and build a stellar portfolio.

Price: £9.85-£16.99

Where to buy (UK): Amazon, Book Depository

About: Written/compiled by American illustrator Mary Kate McDevitt, this appealing book guides you into the world of illustration. From the very first page you’re encouraged to get creative (literally – your first activity is to write your name and draw yourself) offering practical information on the industry, materials illustrators use, small warm-up activities and whole guided projects.

The Good

  • The layout – it’s fair to say this book is very aesthetically pleasing; with bright colours, illustrations throughout and interesting typography. The book itself is a piece of illustration work! It also breaks things down into sections making it easy to follow.
  • The writing style – The language and tone of the book appeals to ‘everyday’ people which makes it accessible to even beginners in the field of illustration. Everything is explained well without any hint of pretentiousness.
  • The activities range from small to large projects meaning if you have just 5 minutes to fill there’s something for you, if you have 5 hours to fill, there’s also something for you.
  • Projects are guided and go through a process. You follow each section of the project so you’re never left wondering where to go next. If your imagination seems to be having a day off, there are activities within each project to get your creative juices flowing, such as questions (‘who is your target audience?’) and a section for a spider diagram.
  • In addition to the mini activities within each project there’s also some visual inspiration, which is great for those of us who think more visually.
  • The book can be picked up very reasonably online
  • It’s a fun way of developing your illustration skills

The maybe not so good

  • If you’re from UK you’ll be aware that the book is American. There’ll be minor spelling/terminology differences
  • The information provided about working as an illustrator is limited. It’s a good introduction but this book isn’t for in-depth explanation

So is it worth it?

In my opinion I love this book! It was affordable, pleasing to look at (I’m a very visual person) and gave my need to practice my illustration skills/develop my style a direction. It can be hard to pull a project idea out of the air, which is why this book is so useful. I like the honesty with which McDermitt writes and the personal edge she gives it. The projects are engaging and the small warm-ups very unique! I’d recommend this book to anyone looking to develop their illustration skills, especially if they feel they need more direction.

Rating: 4.5/5

Choosing the right sketchbook

You’d think it would be the easiest thing in the world: finding some paper to start your art project. But when you’re just starting out in the world of art (such as GCSE students etc) it can be perplexing to navigate your way around the vast options available. Don’t be tempted to reach for the cheapest option just to save some money! I’m sure plenty of you have been in a situation where you begin full of enthusiasm only to find that your paper is wrinkling or your ink bleeding. This is because it really is important to be using the right kind of paper for your piece, it really can make or break a piece. I’m going to take you through the basics of choosing a sketchbook when you’re just starting out, or are just getting serious about pursuing your artistic interest. I’ll be putting key points/tips in bold/colour.

All sketch books will generally be suitable for what it says in the title: sketching. Just getting some ideas down in pencil. Where problems usually arise is when you begin using other mediums, especially ‘wet’ mediums such as paints and ink. The very basic sketchbooks you can find almost anywhere (such as budget shops) are usually not suitable for anything more than just getting down some ideas in pencil.

Over the years I’ve learnt to feel my paper before choosing in addition to looking at the description/symbols on the front of the book/pad (more on this later). Generally, cheap papers are quite rough to the touch and will feel thin. Slightly higher quality paper will feel thicker, but may also have a rough texture. But BEWARE! If you do choose a cheap sketchbook for just doodling it’s good to know that cheaper kinds of paper won’t usually stand very much erasing. Ever seen higher quality paper advertised as being ‘acid free’? This is beneficial because it means your work is less likely to fade and the paper less likely to break down.

Let’s talk about cartridge paper…this type of paper is widely available and a lot of illustrators and artists are happy to use it.  If you do decide to go for basic cartridge paper for paints such as watercolour bear in mind it must first be prepared. Painting directly on to lower GSM* cartridge paper will cause buckling and you’ll end up with a wibbly painting! The process of preparing paper for watercolours/gouache is known as ‘stretching’. It’ll take a little effort to do, so if you’re desperate to get stuck in to some work straight away using wet mediums it’s best to avoid low GSM cartridge, or make sure you have a stash of pre-prepared sheets. I learnt how to stretch paper on an ‘introduction to art’ summer school at a local college when I was 15 and found the course a real stepping stone into GCSE art, which then progressed to A level, which then progressed to a degree. By the time you reach university it’ll just be assumed that you know these basics. It’s good to look out for taster courses or holiday schools at local colleges/uni’s as you could pick up some skills that prove useful for the rest of your artistic journey. You can find so many videos on Youtube showing you how to stretch paper: link

Now we’ve covered the cheaper ‘everyday’ papers let’s look into specifics. The good news is that a lot of the sketchbooks they stock in art and hobby stores usually have guides on the front, it’s just a matter of reading the symbols and understanding what certain things mean. Something I found confusing for a while was ‘hot pressed’ and ‘cold pressed’. It’s actually as simple as this: hot-pressed paper has a smoother, finer surface, whilst cold-pressed has a more textured surface. Some pads don’t even mention these terms though and keep it more straight-forward by saying ‘smooth’ or ‘grained’. It’s really a matter of personal reference, I use both depending on the finish I want.  As I usually work with a lot of detail I generally avoid heavily grained papers as lines can be less ‘crisp’. Thanks to the information on a lot of sketchbooks it’s actually now easier than ever to select your book. Some pads will say ‘mixed media’, meaning that generally any medium is ‘safe’ to use, others will say ‘watercolour’ or ‘drawing’ (Daler  Rowney label their sketchbooks really well making it easier to select one). As for symbols, they’re easy to work out; a paintbrush head means it’s suitable for paint, a fountain pen means fountain pens can be used, a fineliner/pen means drawing pens may be used and what looks like a conte stick means pastels can be used. But there’s one area that I know confuses a lot of people…GSM*. This stands for ‘grams per square metre’. Basically, the higher the GSM the heavier the paper, meaning it can handle more. GSM is sometimes written as ‘G/M2’. Papers with high GSM are usually labelled as ‘heavyweight’.

I can’t stress enough how important it is to understand what paper you’re using before you begin an important project, mainly to avoid frustration over things like buckling, bleeding, eroding etc. I think the most important thing you can do is read the specs of the paper (even individual sheets in art/craft stores will usually have a little label telling you hot/cold pressed and GSM) and if you’re not sure then ask!

Time for some recommendations! For general doodling and really rough work I carry around a small ‘Graduate‘ sketchbook. These are Daler Rowney’s reasonable, lower GSM books that come in various sizes. Hobbycraft also offer their own version of these, with a similar GSM and a very modest price tag. For work that I plan to use (for exhibitions, card designs etc) I rarely stray far from Daler Rowney finegrain heavyweight paper as I find it can hold all mediums really well. I’ve used pastels, oils, gouache, pens, pencil and I’m always happy with the results (though be careful if working on small areas in oils especially oils that have been thinned as sometimes you can get a ‘halo’). I also recommend Daler Rowney’s smooth heavyweight when I want less of a textured surface. If I’m solely using gouache or watercolour I may also opt for their Aquafine smooth pad.

So that’s it, your guide to choosing the perfect sketchbook. Happy creating!

A fresh start

Moving day has finally arrived and whilst I thought I’d still have the evening to do some artwork after spending the past week moving boxes it turns out I’ve been too knackered to do anything! I’m excited to have a freshly painted home studio to go to though and the lighting is a million times better than my old one, in which I had to have the light on constantly even on sunny days! I’m keen to get my desk and materials set up asap to begin work again as I’ve been missing being engrossed in my work. Unfortunately I won’t have internet for a few weeks so my blog will be a little quiet until September but I’ll still be updating on my facebook and twitter when I get a chance when I’m in the library. If you aren’t already following me, click the icons below to be directed to my accounts (opens in new tab).

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In the chaos of sorting through all my belongings I also realised that last month I posted two reviews. Whilst I’m away, here’s a list of past reviews to take a look at. Click the link to open a new page:

Affordable Gouache

Body-Kun Models For Artists

Grayson Perry Book

Derwent Pastel Pencil Set

Derwent Graphitint Pencils

Derwent Inktense Watercolour Pencils

Creative Paper Cutting Book

An Illustrated Life Book

Handstitching Guide Book

Paintbrush Cleaners

Taking Great Photos Book

You can also read about exhibitions I’ve been to which have now ended:

Quentin Blake Exhibition- Cardiff

‘Your Gallery’ Exhibition- Newport

‘Nature’s Song’ Exhibition- Cardiff

If you feel like getting creative yourself, in September I’ll be resuming my monthly tutorial but in the mean time you can find all my tutorials at the link below, from sewing to painting:

Tutorial archive

Enjoy the last bits of summer and check back in September for updates, tutorials and more reviews!

 

 

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