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Hanna-Mae Illustration

Illustrator & eco clothing designer

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Creative gifts: My favourite five

Christmas is just around the corner so today I’m going to bring you a little bit of inspiration, thanks to some very talented artists and craft enthusiasts. I always like to support small businesses and individuals and as these items aren’t mass produced the recipient of your gift will be getting something truly special and more personal. Click the name to be taken directly to the shop.

My Favourite Five

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Lyndsey Green Illustration

Rabbit Illustration eco tote bag, £8

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Aside from the fact that this is a fantastic illustration (and perfect for any animal lover) I also love the fact that this bag is eco friendly. Delivery is just 95p.

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Artwork by Angie

Dog illustration print, £14

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As a dog lover this really appeals to me. I love the cheerful colours and humorous caption too. This would be great for someone who has a dog. Postage is free.

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Casey Illustration

Watercolour robin illustration print, £6

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I just had to include this! I think this has so much character and is really unusual. You’ll also find a selection of printed gift tags in Casey’s shop. Postage to the U is free.

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Lyndsey Green Illustration

Red fox cushion, £20

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This is one of Lyndsey’s illustrations printed on a faux suede cushion (so perfect for art-loving vegans!). It’s also available on an eco cotton bag. Postage is a reasonable £1.50.

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Inkishop

Dog mug, £10

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I love everything in this shop! From the quirky tote bags, to the adorable cards and mugs, they’re all quirky and guaranteed to bring a smile to any animal lovers face! Postage £4

 

 

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Monthly tutorial: Developing your ideas

This month I’ll be guiding you through how to develop your ideas. For me, this part of the creative process is just as important as the creating itself, as it’s the pre-planning that forms a solid foundation for my work. So let’s get stuck in…

‘Where do I begin?’

If you’re working towards a brief (if you’re studying art/design at GCSE onwards this word will become familiar to you and you’ll hear it often) then you have a good starting point. Read it carefully and make bullet-points or highlight exactly what it is you need to fulfil. Are you designing a Christmas card? A design for packaging? Does the brief state what style/feel they want? The more information you have the easier it is to generate ideas. Starting a self-led project from scratch can be difficult because every decision you make has to be your own and a successful design isn’t usually created by just picking up your paintbrush straight away without any blueprints. If you don’t have a brief, set yourself one. Write down briefly what you want to create, who/what it’s for and what sort of style you want. For example, I’m creating a Christmas card design, it’s for my family and friends, and I’d like it to convey warmth and cosiness and be in a cute illustration style.

‘What next?’

Now you’ve got your basics you need to build on this. Your task is to convey your meaning successfully. It can help to make some notes (I like to do colourful spider diagrams) to get any ideas in your head down. Let’s use my brief as an example. It’s for Christmas so I’d write down all the things I associate with Christmas, for example: holly, mistletoe,family get togethers, gifts, snow, stars etc. Do the same for the other important messages behind your intended design, in this case ‘warmth and cosiness’, which made me think of things like: blankets, thick coats/jumpers, fireplace, hot drinks etc. You’ll have quite a bit to work with by the end of this idea outpouring, so you need to narrow it down and decide which elements you think will work well together or excite you most.

Next steps…

Once you’ve decided what you’d like to include it’s time to pull the pieces together. How are you going to put these elements together in a way that’s natural and pleasing to the eye? It can help to do a bit of research at this point, see what other artists have done, and how they’ve gone about positioning things. If you’re designing a greeting card it can be really useful to browse card selections in shops. Bear in mind the message you want to communicate and work around this. For me, I wanted my design to be ‘soft’, which means soft, rounded shapes that curve and flow, rather than sharp edges. This is why I chose to position my chosen features (poinsettias, mistletoe etc) in a circular wreath and made my character rounded. Collecting images and making a small inspiration board to refer back to can be really helpful. When designing my Christmas card I collected a few photos of poinsettias and hedgehogs and worked from these, remembering my desire for ‘softness’.

 

 

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I like to do rough sketches of each element I plan on using before bringing them all together. I knew I wanted to include a hot drink in my design so I sketched a couple of versions of this until I found a version I was happy with. I like to make notes next to my sketches, for example, I wanted my hedgehog to be more rounded, so I wrote a note to remind myself ’rounder’. It’s ok for your rough work to be messy, no one will see this stage, this is your chance to get all your ideas down and play around to see what works.

Colour!

When you’re happy with your sketches and have decided the layout of your design it’s time to think about colour. Some colours work harmoniously and this is what will be most pleasing to the eye. Have a think about what sort of message you’re intending to send with this design, do you want it to feel cold and wintery for example? (in which case you’d consider cool colours) or warm an cosy? (in which case you’d consider warmer colours). For my design I wanted warmth but also to continue the feeling of ‘softness’. For this reason I chose not only warmer colours but quite muted versions of these colours. By this I mean I didn’t choose just orange, I chose a more burnt orange. A lot of the colours I chose I had to mix with colours such as burnt umber, burnt sienna and ochre to get that muted tone. I’m a huge fan of building yourself a collection of paint sample cards for use in your art/design planning. Get a file and get in to the habit of picking up some sample cards/booklets any time you find yourself in or passing a DIY/home shop. You can also just pay a visit to one when you have your colours already in mind. If you know you want cool colours, go and pick up sample cards just of these. You can do this for each project. I then hold colours I think I want to use next to each other and decide which appear most harmonious. When you’ve chosen, stick them to your rough sketches so you have a guide of what goes where. As you can see below, I’ve assigned colours to various parts of my character.

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Starting your final design

Before starting your final design it’s useful to work out sizing and most of the time I like to have a complete rough version with everything in place. Once you know where everything is going and how large it needs to be, it’s time to select your paper and begin. You can read about selecting the right paper in my guide: ‘Choosing the right sketchbook‘.  I chose to use fine grain heavyweight paper as I wanted a hint of texture as well as a paper that could hold oils well. Once you’ve transferred your design, you can begin adding colour. What medium you use is up to you but it’s essential to use paper that can handle your medium (see my mentioned guide, above, to read more about this).

As you can see on my rough pages, I’ve mixed my colours and tested them next to the samples before applying them to my piece. It’s a good idea to have some scrap paper nearby to test your colours on, particularly as they can appear different on your palette than on your paper. Some colours can dry lighter, some darker.

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I’ll be revealing my own complete design next month and kicking off December with some unique, creative gift ideas for you!

Happy creating!

Three to see!

As my blog followers will know, I love to find enthusiastic artists out there and give them a bit of exposure here. There are so many talented individuals out there whose work just needs to be seen and shared! As I’ve been working on my large Mabinogion piece (if you missed the post about this you can find it here: link) I decided to have a dig on Deviantart (you can follow my account here: hmwillustration) for some Celt-inspired work and came across some superb pieces. It was difficult to narrow down my favourites but after much deliberation I’m sharing my top 3. Be sure to check out each artist’s profile, or better still let them know what you think of their wonderful work! Please remember that the copyright belongs to the artist.

 

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Roberto Pavic  (DeviantArt name: roblfc1892)

Roberto has been a member of DeviantArt for many years and his gallery is full of interesting photography and tattoo designs. He has a whole gallery folder dedicated specifically to Celtic tattoo design, with my favourites being his Celtic dragons. Also look out for the exquisite ‘Swallow’ and ‘Ravens’.

(click image for direct link)


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Rachel Arbuckle (DeviantArt name: CelticArt)

Rachel is from Italy and has a love of Gouache paint. Her gallery is entirely dedicated to Celtic designs and is a treasure trove of intricate work. Below is one of my favourite pieces, titled ‘Twelve Days of Christmas’.

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Lucie Ondruskova (Deviantart name: LucieOn)

Lucie is from the Czech Republic and works a lot with watercolours. Her gallery has a collection dedicated to her ‘Knotworks and Patterns’ which are made truly unique with her interesting application of watercolour and small additional details. Below is ‘Celtic Butterfly’, just one of many beautiful pieces of subtle knotwork.

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Next week i’ll be posting my usual ‘Monthly Tutorial’. This time I’ll be showing you how to develop your ideas.

What’s in store for November?

It’s hard to believe it’s November already! This year has flown by in a blur. Lately I’ve been doing a lot of thinking, about where my illustration is leading me, how I want to utilise my creativity and where it’ll take me in the future. Trying to meet a deadline I’ve fallen into the mindset of my current piece being more of a chore than how I want my time creating to be. When I allow myself time and space, art is my therapy. When I relax and just go with the flow and allow myself to really get in tune with my work is when I actually produce the best results and really engage with the process. In the coming years I’d like to look further in to art as therapy and hope that starting voluntary work working with people with Alzheimer’s will bring the opportunity to bring someone pleasure and a mode of creative communication.

Here are some of my recent rough sketches for the piece I’ve been working on. The piece itself will be made up of many elements and I’m currently working my way through each one, until I feel happy with the final version that I’ll then transfer to my prepared paper.

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The piece I’m working on is based on The Mabinogion, a collection of medieval Welsh tales. The stories are full of adventure, peril and mythological creatures, such as dragons and the cyclops. Above is my interpretation of a ‘Coranian’. The Coraniaid appear in the tale of Lludd and Llefelys and are a race of people that are said to be like a plague; their hearing is so intense that it’s impossible for them to be harmed as they always hear when danger is coming. When I’m creating characters I like to do some visual research. For the Coraniaid I researched medieval clothing to get a sense of what sort of things they would wear, and as the Coraniaid are said to be small i imagined a stocky build. I’ll be talking more about creative processes later this month in my monthly tutorial.

Later this month I’m hoping to visit an exhibition in Peterborough hosted by the City Gallery titled ‘Fabric of Society‘. As someone who’s interested in textiles I’m looking forward to seeing this and will be reporting back in my monthly review next month (the exhibition runs until January).

Next week I’ll be reviewing, as promised, another of Brian Froud’s  unconventional works: ‘Lady Cottington’s Pressed Fairy Letters‘. If you haven’t already read last months ‘Goblins’ review, you can find it here link.

 

 

Seasons Tweetings!

Seasons Greetings to all my followers! What a year! It’s been a while since I last posted, I’ve been inundated with hospital and clinic appointments, but now thankfully I have some time to myself to ease myself in to a less chaotic time, and just enjoy the season. And I kicked off with trying a craft I’ve had my eye on for quite some time: needle felting. I’ve been saying for years that it’s a craft I’d love to learn, and finally I had an excuse! My friend bought me a needle felting kit for my birthday. Take a look at my sweet little robin, who I will be giving to my Grandmother who is a wonderfully creative and crafty lady and will appreciate the love and effort behind him. If you feel like giving this satisfying craft a go, I’ve managed to find some vegan-friendly, wool-free options too! Heidi Feather’s has a wonderful starter kit which includes all you need to get going, along with a project book full of cute ideas from a robin, elephant, penguin, and even bunting (HeidiFeathers)

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Christmas is always a time when people become a bit more generous, and embrace love for one another more, and lately I’ve been reading some inspiring articles that have really brought in to focus the changes I want to make myself, not just this time of year, but for the year ahead, and hopefully the future. Already I’m laying the foundations for my New Year’s resolutions by making small changes.

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There are two books which I’d recommend if you’re interested in making similar goals. ‘Touching Peace‘ by Buddhist poet, scholar, and peace activist Thich Nhat Hanh may have an unassuming cover, but inside can be found gems of wisdom on many topics, from relationships to diet and general daily living. The second book I’m going to recommend is ‘Zero Waste Home‘ by Bea Johnson, which is an interesting read for anyone thinking of embarking on a more environmentally-aware lifestyle. This year I’m also pairing up with a resolution buddy! A nice idea as you can encourage one another when your motivation is flagging.

As well as being the start of a hopefully more aware year, I’ll also be kicking off 2018 as I mean to go on – in a creative way. I’m happy to say that this year I’ll once again be taking part in the Y Galeri Caerffili‘s Winter Art Exhibition after my piece ‘The Artistic Autistic’ was chosen to be included. I created this piece with the intention of communicating how it feels to live with autism in our modern world. Many people with autism have sensory issues, which can lead to what’s known as ‘sensory overload’. Whilst most people are able to filter out outside stimulus, this can be difficult for people with autism, meaning we experience a constant flow of sounds, sensations, and sights, which can become overwhelming. I chose the colours carefully to try to communicate the feeling. If you’re interested to know how it feels to experience sensory overload, there are some great autism simulators on the web. If you know someone with autism it’s definitely worth taking a look at these: Sensory overload simulator

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‘The Artistic Autistic’ Oils on canvas board

It’s become somewhat a tradition of mine to have a real sort out of everything at the beginning on December and put my decorations up, and this year I found a stash of artwork that I’ve accumulated over the years, some up to 6 years old. It was interesting to see how my style and the materials I use have changed over the years.

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As promised earlier in the year, I also kept a visual diary of my visits to my hospital/clinic appointments. I took the time I would have spent just sitting waiting to challenge myself and create super quick sketches – something which I find a bit difficult as I’m a stickler for detail! Here are just some of my sketches.

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Hopefully in the new year I’ll be back to my usual weekly posts, with reviews, tutorials, and the occasional vegan recipe thrown in!

Merry Christmas (and a belated Yule to any Pagan followers out there)

xxx

Identity crisis

So far this year I’ve been on a journey to live my life in a way that’s within my means. Whilst it’s so easy to compare yourself to others, sometimes you have to remind yourself that you’re you, with your own individual needs. The past few months in particular have felt really significant in terms of identity and adapting the way I live to enable me to go about my daily life in a reasonable, albeit limited way, thanks to fibromyalgia and the host of trials that it brings.

The past few weeks have been focused on the way I create. My creative identity. This is something I relish in – a huge part of who I am, despite the health conditions that can sometimes seem like such a dominant part of life. But whilst I’ve adapted my daily life, I’ve battled with the creative process. So what do you do when the way you’ve always worked is not always doable? I started to actually feel quite excited about the possibilities and the chance to experiment, but that openness recently brought with it a sense of aimlessness and a questioning of where ‘I’ was in all of this. I did a lot of soul searching (as I often feel art comes from the very ‘being’ of who I am) and looked to other artists for inspiration. Finally, after much thought and experimentation, I feel I’m making some headway to getting the balance I need between detailed work and more laidback work. For a few days I explored the illustrator in me, and just went with the flow to try some children’s book illustration.

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Whilst I found this relaxing I couldn’t let go of my love of detail, so combined this sort of illustration with more intricate pattern.

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I realised I felt I had to fit in to a specific category: am I a ‘children’s book illustrator’? Am I a ‘fine artist’? I now realise I can combine elements to work around my difficult days when I’m in a bit of a ‘fibro fog’, to keep doing what I love.

In other areas of my creative life, I’ve been busy trying out a new bag pattern, using upcycled material to create useful (and unique!) pouch-style shoulder bags (picture below). I’m also thrilled to share the news that my piece ‘Flower Power 2’ was chosen to be shown in the current Penarth Pavilion exhibition. You can visit the website here. The exhibition runs until 28th August.

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Once upon a time…

A while ago an acquaintance asked me to illustrate a children’s story they’d written about a little adopted kitten. I based some of the illustrations on places I’ve been/lived.

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Experiments with pen

My latest piece, step-by-step. Love the versatility of ProMarkers!

Title: The Autistic Brain

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Monthly mini review: Derwent pastel pencil set

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Product name: Derwent Pastel Collection

Price: £16.00 – £53.98 (for 24 piece set)

Rating: 3.5/5

About: A tin containing 24 pieces: 8 conté-esque hard sticks, 14 pastel pencils, 1 sharpener, 1 putty rubbergood

  • If, like me, you tend to use a lot of detail then pastel pencils are for you! I found I had much more control than when using stick pastels and was able to do finer details.
  • Whilst pastels can be quite mucky, the beauty of these pencils is that they leave your hands clean.

 

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  • This set can be pricey, and prices range hugely depending where you look.
  • Availability of individual/replacement pencils can be limited. My local hobbycraft didn’t stock them.
  • One thing I feel would make the set more complete is a blending stump.
  • Not suitable for large areas.

 

conclude This set gave me an excuse to get stuck in to a medium I don’t use of a regular basis. It’s suited to those who’ve dabbled, but want to gain more experience in this medium, and those who have struggled with larger pastel sticks. This set is great for detail enthusiasts, rather than those who prefer to work on a larger scale, and more for those with a real interest in art as opposed to being something you drag out on a rainy day for the kids. Although not my favourite medium, I enjoyed experimenting, and plan to use them again.

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‘Thirsty work’

 

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Osnir Narcizo ‘Heisenberg’

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Hannah (Melomiku)  ‘Tobi the Recon/Spy’

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Susan Mitchell – ‘Work in progress’

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