Search

Hanna-Mae Illustration

Illustrator & eco clothing designer

Tag

drawing

Quick update

Lately I’ve been allowing myself some more creative freedom, which is really refreshing. I’ve mentioned before trying to get away from the focus on a piece of work being ‘good’ and allow myself to just create. This week I’ve been working on part of my Children’s Illustration course that emphasises the use of texture, rather than solid outlines. I’ve been allowing myself to just go with my instinct and find I’m enjoying the act of creating much more than if I were worrying about how ‘good’ it should be.

I’ve also been experimenting with decoupage during my one-to-one volunteering through the Alzheimer’s Society. I really feel that creativity can have a beneficial effect on people and can be very therapeutic. For me, combining music with creativity helps me experience what’s called ‘flow’ – when you’re utterly immersed in what you’re doing – especially with classical music. As someone who has experienced difficulties with my mood I can really appreciate the benefits of making creativity a regular part of life for individuals suffering from depression and anxiety.

As well as art and crafts I used to write a lot of poetry, although the urge had left me for quite a while until the other day. I find writing poetry a good way of immediately letting out emotion and I’m happy to be inviting more forms of creativity back into my life.

With Easter just around the corner this is the perfect excuse to let your creative self out!

Happy creating!

Advertisements

Final leg of the learning curve

This month I’ve been talking a lot about perspective with this month’s review being the book ‘Perspective & Composition’ by Barrington Barber (you can read it here). I’ve been continuing my learning curve with practising using the 1-point and 2-point perspective method and looking up examples of good perspective artwork.

I found this youtube video to be particularly good in clearly explaining the method (click to open new window): ‘How to Draw in Perspective for Beginners‘. Youtube can be a great resource for art enthusiasts, particularly those who are teaching themselves.

I’ve been a member of the website DeviantArt for a while now (my first account was set up in 2006!) and I’ve always found it an inspiring place as you get to see other’s art work and browse whatever topic takes your fancy. This past week I’ve been taking a look at ‘perspective’ and here are some pieces that really caught my eye, some because they clearly show the use of perspective lines. Click the names to be taken to the profile.

TitaniumDream

perspective_practise_by_titaniumdream_dbh91d-pre.jpg
‘Perspective Practise’ by TitaniumDream

I like how this piece is a mix of imagination and theory. You can clearly see this is an exercise in perspective and can see the 2-point perspective lines.

EpHyGeNiA

anatomic_perspective_by_ephygenia_d2glpnl-fullview
‘Anatomic Perspective’ by EpHyGeNiA

In the book I reviewed last week there were various examples of where perspective can be used. The human body was briefly covered and this is an example by EpHyGeNiA.

 

LisaCrowBurke

d2v8ktx-57ab6cde-46fd-4300-8ac1-fcd21cc99b2f.jpg
‘2-pt Vertical Perspective’ by LisaCrowBurke

I love this piece as it’s so interesting. I think it’s a great example of an interesting perspective but I think it’s made so much more than that by the inclusion of the pigeons.

 

 

Next week I’ll be bringing you a special St David’s day tutorial and I’m excited to say that soon I’ll be visiting the Leonardo da Vinci exhibition: ‘Leonardo da Vinci: A Life in Drawing‘ to mark the 500th anniversary of the famous artist’s death.

Monthly Review: Perspective & Composition

Last week I talked a bit about the online art course I’ve started and how one unit had been focusing on perspective (link). The unit prompted me to dig a bit deeper into the subject and today I’ll be reviewing the book ‘Perspective & Composition’.

Image result for Barrington Barber perspective

 

Full title: Essential Guide to Drawing; Perspective & Composition

Author: Barrington Barber

Price: £4.99 – £23

Where to buy: WaterstonesBook Depository, Amazon, ebay

About: An instructional guide to the ‘rules’ of perspective and composition, with step-by-step exercises.

I first came across Barrington Barber’s instructional drawing books when I was a teenager and used to lap up the art books in The Works. Although this particular book claims to be ‘practical and inspirational’ I’d argue that the former is at least true! As someone who loves step-by-step instructions both written and with visuals, I do like Barber’s books. However, this more methodical, instructional tone doesn’t exactly get you fired up with creative ideas. The covers of Barber’s books tend to be quite tame with a ‘school’ vibe about them and the interior looks almost text-booky. However, the contents is quality.

The layout is logical, with a clear font, sub-titles and diagrams so is good for all kinds of learners, be they visual or more text-based. There are also mini projects throughout to ensure you understand the concepts being explained so there’s a good balance of theory and practical.

I think this book would be best suited to art students, particularly around GCSE and would be useful in a classroom or tuition setting. Although, it would also be useful for those teaching themselves. One section mentions ‘Compositions by Master Artists’, which could potentially encourage further research and study.

Another thing I like about this book is that although it’s short it tries to keep the users interest by covering different ways of using perspective, for example when drawing people or objects in addition to just landscapes and scenes.

Although this book wouldn’t encourage me to purposely seek out any more of Barber’s books I did take something away from it and it’s worth a read if you’re really struggling with the concept of perspective. For me, the best way to learn about perspective is to practice, practice, practice and learn to trust your eyes; draw what you see, not what you think you should see.

Gaining some perspective

As any artist will know it can be difficult to focus when your mind is all over the place. Lately, my mind has been flitting from one thing to another meaning any sustained period of work has seemed near impossible! However, I’ve had a couple of short sessions over the past week where I felt really engrossed in my work and felt I channelled a lot of emotion.

I feel like art isn’t just a subject for some people, it’s so much more. To me, it’s not just something I’m ‘good at’, it’s an outlet, a distraction, part of my identity. Art is such a huge part of who I am I feel like it’s actually part of me, which is actually really quite reassuring when you’re battling with identity and trying to establish your place in this busy world.

I’ve started my distance learning with the London Art College and so far I’m finding it interesting. Initially I was wary of the way Unit 1 had me going right back to very basics but I feel like I still took something away from it. Unit 2 was interesting as it covered perspective, which is something I haven’t particularly found myself delving in to much over the 15 years I’ve been studying art. It was generally assumed that perspective was just a matter of getting the proportions and distance of what you were looking at right. Unit 2 took a more…’geometry-based’ approach (if that’s the right term to describe it) which actually had me searching the library to find out more. Next week I’ll be reviewing the book ‘Perspective & Composition’ by Barrington Barber. Perspective isn’t something you generally always have to worry about in the world of Illustration and I’ve found many inspiring pieces that appeal to the eye that aren’t in perfect perspective. It got me thinking of my own work though and how I’ve dealt with perspective without using the system described in Unit 2. Generally, I rely greatly on my own perception and trust what my eyes are seeing. I remember being just 8 years old and a teacher saying to me: we often draw what we think we should see, not what we actually see. I’ve remembered this ever since and always make a point of saying this to myself when I’m drawing from life. Below is an example of how I’ve used perspective relying on this concept.

perspective.jpg
‘Union Street’ by Hanna-Mae Williams

At the moment I’m working on a still life piece that focuses on using shading to create depth. The advice given was to focus on the display as a whole. This is a real challenge for someone like me who often gets bogged down in the details! But I’ll be posting the finished piece soon. It feels good to be working in pencil again and taking time out from life to be creative.

 

 

 

 

Tis the season…to get creative

Here in sunny Wales it’s been raining for over a week! Although soggy strolls with my dog and taking refuge in coffee shops have been welcome excursions out of the house I’ve been enjoying finishing off my Christmas card design. I’m happy with the finished product and am eagerly awaiting the arrival of my order from the printers.

finaldesign.jpg
Final card design, water mixable oils.
carddesign1
Edited design 1 (pre-made digital background)
carddesign2
Edited design 2 (pre-made digital overlay/text)

I feel it was worth taking time over the colour palette as it all ties together nicely. If you missed last months tutorial: ‘Developing your ideas’ you can read about how to tie all your ideas together: link

As my old neighbour (‘old’ as in from my previous home) has been so kind to me this year I decided I would also get a mug printed using my design and give it to her as a Christmas gift.

mugdesign

Now that I’ve got my Christmas cards sorted I’m focusing on a sewing project for my best friend’s nephew. I finally have an excuse to use up the stash of felt sheets I’ve been hanging on to for a while and am working on hand-sewing a personalised pouch (with lion pocket on the front) filled with wild animal finger puppets.  So far I’ve finished an elephant, a panda, and a tiger. As a long-term vegan I feel it’s important to know all about what I’m using; where the material/food/cosmetics etc I’m using are sourced and the process behind creating them. As some of you may know vegans generally avoid using any animal-related products, one being wool. It’s up to each individual what they choose to avoid/use but I believe in the importance of making informed decisions. You can read all about wool and the ethical issues behind it in my up-front guide here (click to view) : ‘Loom knitting for beginners and your guide to ethical knitting’

Although I’ll be using my own cards this year I have purchased a special one from a talented individual for the owners of a gorgeous little cockapoo who my own dog is in love with! The likeness is uncanny and if you’re looking for some unique dog-inspired art or cards for that dog lover in your life then MindfulDogCo is the shop for you! Run by the talented Imogen who’s based in Southampton, you can find her online shop here: link

 

xmascard
Christmas card from MindfulDogCo

Christmas is such a wonderful excuse to get creative, from card making to baking and making your own gifts. Next week I’ll be showing you how to use your leftover wrapping paper and turn it into something beautiful!

 

Happy creating!

Creative gifts: My favourite five

Christmas is just around the corner so today I’m going to bring you a little bit of inspiration, thanks to some very talented artists and craft enthusiasts. I always like to support small businesses and individuals and as these items aren’t mass produced the recipient of your gift will be getting something truly special and more personal. Click the name to be taken directly to the shop.

My Favourite Five

1

 

 

 

Lyndsey Green Illustration

Rabbit Illustration eco tote bag, £8

dec1.jpg

Aside from the fact that this is a fantastic illustration (and perfect for any animal lover) I also love the fact that this bag is eco friendly. Delivery is just 95p.

2

 

 

 

Artwork by Angie

Dog illustration print, £14

dec2.jpg

As a dog lover this really appeals to me. I love the cheerful colours and humorous caption too. This would be great for someone who has a dog. Postage is free.

3

 

 

 

Casey Illustration

Watercolour robin illustration print, £6

dec3.jpg

 

 

 

 

 

 

I just had to include this! I think this has so much character and is really unusual. You’ll also find a selection of printed gift tags in Casey’s shop. Postage to the U is free.

4

 

 

 

Lyndsey Green Illustration

Red fox cushion, £20

dec4.jpg

 

 

 

 

 

 

 

This is one of Lyndsey’s illustrations printed on a faux suede cushion (so perfect for art-loving vegans!). It’s also available on an eco cotton bag. Postage is a reasonable £1.50.

5

 

 

 

Inkishop

Dog mug, £10

dec5

 

 

 

 

 

 

 

I love everything in this shop! From the quirky tote bags, to the adorable cards and mugs, they’re all quirky and guaranteed to bring a smile to any animal lovers face! Postage £4

 

 

Monthly tutorial: Developing your ideas

This month I’ll be guiding you through how to develop your ideas. For me, this part of the creative process is just as important as the creating itself, as it’s the pre-planning that forms a solid foundation for my work. So let’s get stuck in…

‘Where do I begin?’

If you’re working towards a brief (if you’re studying art/design at GCSE onwards this word will become familiar to you and you’ll hear it often) then you have a good starting point. Read it carefully and make bullet-points or highlight exactly what it is you need to fulfil. Are you designing a Christmas card? A design for packaging? Does the brief state what style/feel they want? The more information you have the easier it is to generate ideas. Starting a self-led project from scratch can be difficult because every decision you make has to be your own and a successful design isn’t usually created by just picking up your paintbrush straight away without any blueprints. If you don’t have a brief, set yourself one. Write down briefly what you want to create, who/what it’s for and what sort of style you want. For example, I’m creating a Christmas card design, it’s for my family and friends, and I’d like it to convey warmth and cosiness and be in a cute illustration style.

‘What next?’

Now you’ve got your basics you need to build on this. Your task is to convey your meaning successfully. It can help to make some notes (I like to do colourful spider diagrams) to get any ideas in your head down. Let’s use my brief as an example. It’s for Christmas so I’d write down all the things I associate with Christmas, for example: holly, mistletoe,family get togethers, gifts, snow, stars etc. Do the same for the other important messages behind your intended design, in this case ‘warmth and cosiness’, which made me think of things like: blankets, thick coats/jumpers, fireplace, hot drinks etc. You’ll have quite a bit to work with by the end of this idea outpouring, so you need to narrow it down and decide which elements you think will work well together or excite you most.

Next steps…

Once you’ve decided what you’d like to include it’s time to pull the pieces together. How are you going to put these elements together in a way that’s natural and pleasing to the eye? It can help to do a bit of research at this point, see what other artists have done, and how they’ve gone about positioning things. If you’re designing a greeting card it can be really useful to browse card selections in shops. Bear in mind the message you want to communicate and work around this. For me, I wanted my design to be ‘soft’, which means soft, rounded shapes that curve and flow, rather than sharp edges. This is why I chose to position my chosen features (poinsettias, mistletoe etc) in a circular wreath and made my character rounded. Collecting images and making a small inspiration board to refer back to can be really helpful. When designing my Christmas card I collected a few photos of poinsettias and hedgehogs and worked from these, remembering my desire for ‘softness’.

 

 

hedgehog.jpg

drink.jpg

gingerbread.jpg

 

I like to do rough sketches of each element I plan on using before bringing them all together. I knew I wanted to include a hot drink in my design so I sketched a couple of versions of this until I found a version I was happy with. I like to make notes next to my sketches, for example, I wanted my hedgehog to be more rounded, so I wrote a note to remind myself ’rounder’. It’s ok for your rough work to be messy, no one will see this stage, this is your chance to get all your ideas down and play around to see what works.

Colour!

When you’re happy with your sketches and have decided the layout of your design it’s time to think about colour. Some colours work harmoniously and this is what will be most pleasing to the eye. Have a think about what sort of message you’re intending to send with this design, do you want it to feel cold and wintery for example? (in which case you’d consider cool colours) or warm an cosy? (in which case you’d consider warmer colours). For my design I wanted warmth but also to continue the feeling of ‘softness’. For this reason I chose not only warmer colours but quite muted versions of these colours. By this I mean I didn’t choose just orange, I chose a more burnt orange. A lot of the colours I chose I had to mix with colours such as burnt umber, burnt sienna and ochre to get that muted tone. I’m a huge fan of building yourself a collection of paint sample cards for use in your art/design planning. Get a file and get in to the habit of picking up some sample cards/booklets any time you find yourself in or passing a DIY/home shop. You can also just pay a visit to one when you have your colours already in mind. If you know you want cool colours, go and pick up sample cards just of these. You can do this for each project. I then hold colours I think I want to use next to each other and decide which appear most harmonious. When you’ve chosen, stick them to your rough sketches so you have a guide of what goes where. As you can see below, I’ve assigned colours to various parts of my character.

nov2

 

Starting your final design

Before starting your final design it’s useful to work out sizing and most of the time I like to have a complete rough version with everything in place. Once you know where everything is going and how large it needs to be, it’s time to select your paper and begin. You can read about selecting the right paper in my guide: ‘Choosing the right sketchbook‘.  I chose to use fine grain heavyweight paper as I wanted a hint of texture as well as a paper that could hold oils well. Once you’ve transferred your design, you can begin adding colour. What medium you use is up to you but it’s essential to use paper that can handle your medium (see my mentioned guide, above, to read more about this).

As you can see on my rough pages, I’ve mixed my colours and tested them next to the samples before applying them to my piece. It’s a good idea to have some scrap paper nearby to test your colours on, particularly as they can appear different on your palette than on your paper. Some colours can dry lighter, some darker.

blognov1.jpg

I’ll be revealing my own complete design next month and kicking off December with some unique, creative gift ideas for you!

Happy creating!

Three to see!

As my blog followers will know, I love to find enthusiastic artists out there and give them a bit of exposure here. There are so many talented individuals out there whose work just needs to be seen and shared! As I’ve been working on my large Mabinogion piece (if you missed the post about this you can find it here: link) I decided to have a dig on Deviantart (you can follow my account here: hmwillustration) for some Celt-inspired work and came across some superb pieces. It was difficult to narrow down my favourites but after much deliberation I’m sharing my top 3. Be sure to check out each artist’s profile, or better still let them know what you think of their wonderful work! Please remember that the copyright belongs to the artist.

 

1

Roberto Pavic  (DeviantArt name: roblfc1892)

Roberto has been a member of DeviantArt for many years and his gallery is full of interesting photography and tattoo designs. He has a whole gallery folder dedicated specifically to Celtic tattoo design, with my favourites being his Celtic dragons. Also look out for the exquisite ‘Swallow’ and ‘Ravens’.

(click image for direct link)


nov1

2

Rachel Arbuckle (DeviantArt name: CelticArt)

Rachel is from Italy and has a love of Gouache paint. Her gallery is entirely dedicated to Celtic designs and is a treasure trove of intricate work. Below is one of my favourite pieces, titled ‘Twelve Days of Christmas’.

nov2

 

3

Lucie Ondruskova (Deviantart name: LucieOn)

Lucie is from the Czech Republic and works a lot with watercolours. Her gallery has a collection dedicated to her ‘Knotworks and Patterns’ which are made truly unique with her interesting application of watercolour and small additional details. Below is ‘Celtic Butterfly’, just one of many beautiful pieces of subtle knotwork.

nov3

Next week i’ll be posting my usual ‘Monthly Tutorial’. This time I’ll be showing you how to develop your ideas.

What’s in store for November?

It’s hard to believe it’s November already! This year has flown by in a blur. Lately I’ve been doing a lot of thinking, about where my illustration is leading me, how I want to utilise my creativity and where it’ll take me in the future. Trying to meet a deadline I’ve fallen into the mindset of my current piece being more of a chore than how I want my time creating to be. When I allow myself time and space, art is my therapy. When I relax and just go with the flow and allow myself to really get in tune with my work is when I actually produce the best results and really engage with the process. In the coming years I’d like to look further in to art as therapy and hope that starting voluntary work working with people with Alzheimer’s will bring the opportunity to bring someone pleasure and a mode of creative communication.

Here are some of my recent rough sketches for the piece I’ve been working on. The piece itself will be made up of many elements and I’m currently working my way through each one, until I feel happy with the final version that I’ll then transfer to my prepared paper.

dragon1.jpg

 

 

 

 

mabinogicharacter.jpg

 

The piece I’m working on is based on The Mabinogion, a collection of medieval Welsh tales. The stories are full of adventure, peril and mythological creatures, such as dragons and the cyclops. Above is my interpretation of a ‘Coranian’. The Coraniaid appear in the tale of Lludd and Llefelys and are a race of people that are said to be like a plague; their hearing is so intense that it’s impossible for them to be harmed as they always hear when danger is coming. When I’m creating characters I like to do some visual research. For the Coraniaid I researched medieval clothing to get a sense of what sort of things they would wear, and as the Coraniaid are said to be small i imagined a stocky build. I’ll be talking more about creative processes later this month in my monthly tutorial.

Later this month I’m hoping to visit an exhibition in Peterborough hosted by the City Gallery titled ‘Fabric of Society‘. As someone who’s interested in textiles I’m looking forward to seeing this and will be reporting back in my monthly review next month (the exhibition runs until January).

Next week I’ll be reviewing, as promised, another of Brian Froud’s  unconventional works: ‘Lady Cottington’s Pressed Fairy Letters‘. If you haven’t already read last months ‘Goblins’ review, you can find it here link.

 

 

Blog at WordPress.com.

Up ↑

%d bloggers like this: