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Hanna-Mae Illustration

Illustrator & eco clothing designer

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dragon

What’s in store for November?

It’s hard to believe it’s November already! This year has flown by in a blur. Lately I’ve been doing a lot of thinking, about where my illustration is leading me, how I want to utilise my creativity and where it’ll take me in the future. Trying to meet a deadline I’ve fallen into the mindset of my current piece being more of a chore than how I want my time creating to be. When I allow myself time and space, art is my therapy. When I relax and just go with the flow and allow myself to really get in tune with my work is when I actually produce the best results and really engage with the process. In the coming years I’d like to look further in to art as therapy and hope that starting voluntary work working with people with Alzheimer’s will bring the opportunity to bring someone pleasure and a mode of creative communication.

Here are some of my recent rough sketches for the piece I’ve been working on. The piece itself will be made up of many elements and I’m currently working my way through each one, until I feel happy with the final version that I’ll then transfer to my prepared paper.

dragon1.jpg

 

 

 

 

mabinogicharacter.jpg

 

The piece I’m working on is based on The Mabinogion, a collection of medieval Welsh tales. The stories are full of adventure, peril and mythological creatures, such as dragons and the cyclops. Above is my interpretation of a ‘Coranian’. The Coraniaid appear in the tale of Lludd and Llefelys and are a race of people that are said to be like a plague; their hearing is so intense that it’s impossible for them to be harmed as they always hear when danger is coming. When I’m creating characters I like to do some visual research. For the Coraniaid I researched medieval clothing to get a sense of what sort of things they would wear, and as the Coraniaid are said to be small i imagined a stocky build. I’ll be talking more about creative processes later this month in my monthly tutorial.

Later this month I’m hoping to visit an exhibition in Peterborough hosted by the City Gallery titled ‘Fabric of Society‘. As someone who’s interested in textiles I’m looking forward to seeing this and will be reporting back in my monthly review next month (the exhibition runs until January).

Next week I’ll be reviewing, as promised, another of Brian Froud’s  unconventional works: ‘Lady Cottington’s Pressed Fairy Letters‘. If you haven’t already read last months ‘Goblins’ review, you can find it here link.

 

 

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What’s so special about 11th October?

What a week since my last post! Having been eager to really get stuck in to my artwork I found myself on pause as a fibro flare-up engulfed me! Thankfully I’m feeling much better and after a few days of giving in and resting (in addition to practically bathing in ibuprofen gel and having a heat pack permanently attached to my shoulders) I’m ready to get to work again.

I managed to get some sketching done early last week for my second project (which terrifyingly has a deadline of 3 weeks!) whilst my Christmas card design took a bit of a back seat. After several months of experimenting with other mediums I use less often (gouache, watercolour, pastel) I’m back to my old favourite: water-mixable oil paints, though I use them as though they’re ‘real’ oil paints, thinning them out with Liquin Original. I’ll be revealing the complete card design at a later date but for now have some sketches for my other project to share with you.

It feels good to work more freely and just experiment rather than go in straight away wanting my work to be perfect. My process has altered slightly over the past year as I’m allowing myself to play around more with designs and have a rough draft that I then improve on rather than jumping straight from rough thumbnails to final piece. This ‘middle’ step feels the most enjoyable as you can play around with so many possibilities.

dragon

 

I’m also eager to get back to sewing,particularly as I’ve recently been given a stash of beautiful material that would otherwise have been dumped. My followers will know how important keeping my sewn items as eco-friendly as possible is to me. I recently received an email that gives me the perfect excuse to get my needle and cottons out again. October 11th is ‘International Day of the Girl Child‘ and to celebrate this the charity ‘Days for Girls‘ have set up the ‘Global Girls Festival‘ running until the 1st November. There are several ways you can volunteer with Days for Girls, but the most creative way is by becoming a solo sewist, setting up a sewing team, or joining/founding a chapter. ‘Sewists’ create what’s known as the ‘D4G Kit‘ which is then sent on to young women in deprived areas of the world. You get access to all their patterns, can get support in the D4G ‘Kit chat’ group on facebook and of course get to scratch your creative itch whilst doing good. I have a feeling that stash of colourful fabric I’ve been given will be put to good use this month…

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