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Hanna-Mae Illustration

Illustrator & eco clothing designer

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Resurrecting the old

Recently my focus has been a bit all over the place when it comes to where to direct my creative energy. I’ve been dipping into my children’s illustration course then reviving old projects and feeling the need to work on those. Over a year ago I started an autobiographical piece that after a bereavement I felt unable to complete. I thought that that would be that, I’d never have the inclination to finish the piece as it reminded me of a difficult time in my life. However, the other day the urge to get back in to some….forgive me for this term….’serious’ art overwhelmed me.

It’s been a little while since I did what people in my life know me for, which is more fine art (not including the still life we had to do for one of the units in my course). As some of you may know over the past year I’ve been turning my focus more to less precise work and embracing the freedom of illustration but I do miss that feeling I get when I get really engrossed in detail. I’m having mixed feelings about beginning work on this piece again but I have this feeling that right now I’m supposed to be out-letting some emotion with it.

The other project I’ve brought out again is one I worked on years ago after the loss of my beautiful Springer Spaniel. Wanting to create something good from something bad I used the box her ashes came in to create a piece of work that had meaning behind it. I called it ‘The Fairy House’, but in a way it’s like a memorial piece. A lot of the materials I used represent something meaningful.

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‘The Fairy House’ by Hanna-Mae Williams

 

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‘The Fairy House’ by Hanna-Mae Williams

In addition to the box that made the main structure of the house I used twigs collected from places I visited regularly with my dog. The field I used to walk in with my Nan (who has also now passed), moss which I dried from places we’d also walked, and even the shells on the roof have their own story. Many years ago on freecycle someone was advertising a box of craft materials that had belonged to their late wife. They wanted them to go to good use as his wife had spent many hours enjoying crafting with them. I promised they would and so they became part of the Fairy House.

Some of the elements are handmade too; I used polymer clay to make tiny mushrooms that are ‘growing’ out of the roof, the blanket in the shell bed was knitted and the little pillow was a section of an old teatowel that I embroidered. A lot of work went into this project, yet for the past year the Fairy House has been sat in a shed. Now feels like the time to tidy it up a bit and decide where it belongs.

I’m enjoying my volunteering with the Alzheimer’s Society and am incorporating my love of craft and all things creative into the session I’m doing. I feel like getting creative can have a positive effect on our wellbeing, even if only for the time we’re doing it.

I’m yet to visit the Da Vinci exhibition in Cardiff (I mentioned in my last blog about the nation-wide exhibitions that were being held to mark the 500th anniversary of his death) but as it’s running until the beginning of May there’s still plenty of time to get there. Since I started researching the Italian Renaissance during my A levels (13 years ago) I’ve had an interest in the subject and artists from that time. I love the use of symbolism and considered using this era in my dissertation but opted for the Symbolist Movement (late 19th century)…you can see why.

This week I’m allowing myself to just be creative in whatever way I feel. How much I create and how much I engage with my work is often dependent on how I’m feeling. This week I’m feeling in need of some freedom, to outlet emotions with whatever project feels right at the time.

 

 

 

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Art vs Craft

There’s nothing new with me dividing my time between art and sewing, but as I’ve been working towards a deadline (in this case a birthday) the balance has been significantly tipped, and I’ve been dedicating as much time to embroidering and sewing as possible.

The giftee owns a camper van and is always complaining of cold hands (yet refuses to wear gloves!) and so the little grey cells in my head set about providing a solution…

Introducing the cuddly camper cushion! A personalised cushion to keep in the back of your van, with a pouch to store reusable hand warmers.

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And as I’m so fond of recycling/upcycling, I made use of fabric left over from December’s inspiration board tutorial and utilised studs rescued from a handbag destined for the landfill.

artyWhen I’ve had the chance I’ve been sneaking a few hours here and there to work on an illustration using graphitint, putting the pencils through their paces ready for next month’s review. The piece was inspired by some old books I came across whilst sorting through my grandmother’s belongings. She, like myself, has always appreciated the beauty of nature. One book in particular caught my eye – The Hamlyn Animal Encyclopedia. It may have a dingy, stained exterior, but inside lies a treasure trove of detailed illustrations.

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For my piece I chose animals and fungi native to Britain that I thought would compliment the limited colour palette of the tinted graphite and not deduct anything from their natural interest/beauty; the shape was as important as the palette, with the curved backs of the Pine Marten adding to the symmetry – something I use quite often in my work, particularly my paper cuts.

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Pine Marten’s used to be a regular sight in Wales in the past, but during the 19th and 20th century became all but extinct. However, conservationists are trying to prevent this, and in 2015 the Pine Marten Recovery Project (part of The Vincent Wildlife Trust) attempted to recover numbers in Wales by transporting some from Scotland.

Finally, as my regular readers will know, I like to discover and share inspiring artwork and artists, so this week I leave you with a mini collection I’ve named ‘Wonderful Wildlife’. Click the icon to be directed to each artist gallery/profile. Click image to view full-size.

Mountain Bluebird‘ by Pamela Earleywine

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About: Caroline’s Deviantart gallery is full of beautiful nature/wildlife inspired art work, as well as exquisite portraits and sketches.

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White Lies‘ by Tess Garman.

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About: This gallery is packed full of impressive use of colour, with animals being a core subject. She captures expression so well and there’s a boldness to her work.

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Fungus Study’ by Ruvell Saylon Ates.

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About: Ruvell’s gallery is an interesting mixing pot of studies such as the one above, fantasy, and the occasional photo. I’m especially keen on his fungi studies, including ‘ Black Morel Study‘.

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Coming next month: Special crafty tutorial to mark St David’s Day.

 

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