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Hanna-Mae Illustration

Illustrator & eco clothing designer

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A handmade Mother’s Day

It’s been a couple of weeks since I’ve posted as I’ve been fighting off illness but I’m alive! And this week I’m bringing you some unique card and gift ideas for Mother’s day. As any regular readers of my blog will know, I love to promote other creatives and support small businesses, so all of my choices are handmade, making them extra special!

Primrose Place Art

This Folksy shop is run by Helen Wainwright who uses her artistic talent to make cards and prints. Her work is super cheerful, which is what I love most about her designs. Here are some of my favourite Mother’s day cards (click the picture for a direct link).

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DaisyWings

Tina Martin designs and prints all her cards and has recently started stocking an eco-friendly range, offering 100% recycled cards/envelopes in biodegradable bags. Below are some of my favourite picks for Mother’s day but it’s well worth looking at the rest of Tina’s shop as you’ll find everything from prints and gift tags to painted stones and bookmarks.

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Art Glass By Jessica

I’ve always loved glass work and Jessica’s shop is a treasure trove of beautiful gifts. There were two decorations that really caught my eye and I think the daffodil one would also make a wonderful Easter gift.

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Warm Glass Fusion

This Etsy shop, run by Christine Layton is another must-see for glass lovers. I love Christine’s cards with little glass art keepsake!

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Next week I’ll be bringing you a quick last-minute handmade gift tutorial and as this is the time of year when my favourite flower is in bloom: the daffodil. I’ll leave you with the famous (and also my favourite!) Wordsworth poem.

I Wandered Lonely as a Cloud
I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
               – Williams Wordsworth, 1804
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Resurrecting the old

Recently my focus has been a bit all over the place when it comes to where to direct my creative energy. I’ve been dipping into my children’s illustration course then reviving old projects and feeling the need to work on those. Over a year ago I started an autobiographical piece that after a bereavement I felt unable to complete. I thought that that would be that, I’d never have the inclination to finish the piece as it reminded me of a difficult time in my life. However, the other day the urge to get back in to some….forgive me for this term….’serious’ art overwhelmed me.

It’s been a little while since I did what people in my life know me for, which is more fine art (not including the still life we had to do for one of the units in my course). As some of you may know over the past year I’ve been turning my focus more to less precise work and embracing the freedom of illustration but I do miss that feeling I get when I get really engrossed in detail. I’m having mixed feelings about beginning work on this piece again but I have this feeling that right now I’m supposed to be out-letting some emotion with it.

The other project I’ve brought out again is one I worked on years ago after the loss of my beautiful Springer Spaniel. Wanting to create something good from something bad I used the box her ashes came in to create a piece of work that had meaning behind it. I called it ‘The Fairy House’, but in a way it’s like a memorial piece. A lot of the materials I used represent something meaningful.

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‘The Fairy House’ by Hanna-Mae Williams

 

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‘The Fairy House’ by Hanna-Mae Williams

In addition to the box that made the main structure of the house I used twigs collected from places I visited regularly with my dog. The field I used to walk in with my Nan (who has also now passed), moss which I dried from places we’d also walked, and even the shells on the roof have their own story. Many years ago on freecycle someone was advertising a box of craft materials that had belonged to their late wife. They wanted them to go to good use as his wife had spent many hours enjoying crafting with them. I promised they would and so they became part of the Fairy House.

Some of the elements are handmade too; I used polymer clay to make tiny mushrooms that are ‘growing’ out of the roof, the blanket in the shell bed was knitted and the little pillow was a section of an old teatowel that I embroidered. A lot of work went into this project, yet for the past year the Fairy House has been sat in a shed. Now feels like the time to tidy it up a bit and decide where it belongs.

I’m enjoying my volunteering with the Alzheimer’s Society and am incorporating my love of craft and all things creative into the session I’m doing. I feel like getting creative can have a positive effect on our wellbeing, even if only for the time we’re doing it.

I’m yet to visit the Da Vinci exhibition in Cardiff (I mentioned in my last blog about the nation-wide exhibitions that were being held to mark the 500th anniversary of his death) but as it’s running until the beginning of May there’s still plenty of time to get there. Since I started researching the Italian Renaissance during my A levels (13 years ago) I’ve had an interest in the subject and artists from that time. I love the use of symbolism and considered using this era in my dissertation but opted for the Symbolist Movement (late 19th century)…you can see why.

This week I’m allowing myself to just be creative in whatever way I feel. How much I create and how much I engage with my work is often dependent on how I’m feeling. This week I’m feeling in need of some freedom, to outlet emotions with whatever project feels right at the time.

 

 

 

Monthly tutorial: St David’s Day

For those of you not from Wales you still may have heard of St David’s Day but not know much about it. Saint David’s Day is the feast of Saint David, patron Saint of Wales, and is celebrated on the 1st March as this is the day he’s said to have died in 589 AD. Today we mark the occasion in different ways, including wearing our national emblems the leek and the daffodil. Schools often hold concerts and special assemblies and I remember being so excited to wear my traditional Welsh lady outfit to school. As this special day is coming up soon, I’m dedicating this month’s creative tutorial to it and will be showing you how to make a decorative pinwheel daffodil. I got the idea from when I helped out at a children’s summer art school where we made paper summer flowers and have adapted it to fit this specific occasion.

Decorative Pinwheel Daffodils

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You will need:

  • Light yellow thick paper
  • Darker yellow (or orange) thick paper
  • A yellow or orange button
  • A split pin
  • Glue
  • Glue dots (or strong double-sided tape)
  • Thick craft wire
  • Any tape (I used masking tape)
  • Green beads (optional)
  • Green floral tape (optional)

Start by cutting out two squares from your papers. I cut mine to 10x10cm but you can make them larger or smaller depending on how big you want your pinwheel.

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Draw a line from corner to corner on each piece of paper and mark 2cm from the centre on each line.

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Cut from the edge up to the 2cm mark and stick the lighter paper on to the darker paper using glue dots.

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Now you need to start folding your edges over. Start at the top and alternate. You need to bend to the right and stick the end with a glue dot until you have the shape below.

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Make a hole through your pin wheel and secure with a split pin.

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Take your wire and cut to the desired length. You can get coloured wire or you can jazz up plain wire by wrapping floral tape around it and adding some beads. Leave a little of the end unwrapped so you can push it into the ground. Attach to the back of your pinwheel using tape.

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Use all purpose glue to attach your button to cover the split pin. This step is optional but I like the look it gives.

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These pinwheels are decorative so don’t spin, but they look beautiful placed in plant pots. You can get creative with your pinwheels and add glitter glue or use any colour paper you want. All the materials used for this tutorial are available in Hobbycraft.

Dydd Gŵyl Dewi Hapus!

Final leg of the learning curve

This month I’ve been talking a lot about perspective with this month’s review being the book ‘Perspective & Composition’ by Barrington Barber (you can read it here). I’ve been continuing my learning curve with practising using the 1-point and 2-point perspective method and looking up examples of good perspective artwork.

I found this youtube video to be particularly good in clearly explaining the method (click to open new window): ‘How to Draw in Perspective for Beginners‘. Youtube can be a great resource for art enthusiasts, particularly those who are teaching themselves.

I’ve been a member of the website DeviantArt for a while now (my first account was set up in 2006!) and I’ve always found it an inspiring place as you get to see other’s art work and browse whatever topic takes your fancy. This past week I’ve been taking a look at ‘perspective’ and here are some pieces that really caught my eye, some because they clearly show the use of perspective lines. Click the names to be taken to the profile.

TitaniumDream

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‘Perspective Practise’ by TitaniumDream

I like how this piece is a mix of imagination and theory. You can clearly see this is an exercise in perspective and can see the 2-point perspective lines.

EpHyGeNiA

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‘Anatomic Perspective’ by EpHyGeNiA

In the book I reviewed last week there were various examples of where perspective can be used. The human body was briefly covered and this is an example by EpHyGeNiA.

 

LisaCrowBurke

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‘2-pt Vertical Perspective’ by LisaCrowBurke

I love this piece as it’s so interesting. I think it’s a great example of an interesting perspective but I think it’s made so much more than that by the inclusion of the pigeons.

 

 

Next week I’ll be bringing you a special St David’s day tutorial and I’m excited to say that soon I’ll be visiting the Leonardo da Vinci exhibition: ‘Leonardo da Vinci: A Life in Drawing‘ to mark the 500th anniversary of the famous artist’s death.

Monthly Review: Perspective & Composition

Last week I talked a bit about the online art course I’ve started and how one unit had been focusing on perspective (link). The unit prompted me to dig a bit deeper into the subject and today I’ll be reviewing the book ‘Perspective & Composition’.

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Full title: Essential Guide to Drawing; Perspective & Composition

Author: Barrington Barber

Price: £4.99 – £23

Where to buy: WaterstonesBook Depository, Amazon, ebay

About: An instructional guide to the ‘rules’ of perspective and composition, with step-by-step exercises.

I first came across Barrington Barber’s instructional drawing books when I was a teenager and used to lap up the art books in The Works. Although this particular book claims to be ‘practical and inspirational’ I’d argue that the former is at least true! As someone who loves step-by-step instructions both written and with visuals, I do like Barber’s books. However, this more methodical, instructional tone doesn’t exactly get you fired up with creative ideas. The covers of Barber’s books tend to be quite tame with a ‘school’ vibe about them and the interior looks almost text-booky. However, the contents is quality.

The layout is logical, with a clear font, sub-titles and diagrams so is good for all kinds of learners, be they visual or more text-based. There are also mini projects throughout to ensure you understand the concepts being explained so there’s a good balance of theory and practical.

I think this book would be best suited to art students, particularly around GCSE and would be useful in a classroom or tuition setting. Although, it would also be useful for those teaching themselves. One section mentions ‘Compositions by Master Artists’, which could potentially encourage further research and study.

Another thing I like about this book is that although it’s short it tries to keep the users interest by covering different ways of using perspective, for example when drawing people or objects in addition to just landscapes and scenes.

Although this book wouldn’t encourage me to purposely seek out any more of Barber’s books I did take something away from it and it’s worth a read if you’re really struggling with the concept of perspective. For me, the best way to learn about perspective is to practice, practice, practice and learn to trust your eyes; draw what you see, not what you think you should see.

Gaining some perspective

As any artist will know it can be difficult to focus when your mind is all over the place. Lately, my mind has been flitting from one thing to another meaning any sustained period of work has seemed near impossible! However, I’ve had a couple of short sessions over the past week where I felt really engrossed in my work and felt I channelled a lot of emotion.

I feel like art isn’t just a subject for some people, it’s so much more. To me, it’s not just something I’m ‘good at’, it’s an outlet, a distraction, part of my identity. Art is such a huge part of who I am I feel like it’s actually part of me, which is actually really quite reassuring when you’re battling with identity and trying to establish your place in this busy world.

I’ve started my distance learning with the London Art College and so far I’m finding it interesting. Initially I was wary of the way Unit 1 had me going right back to very basics but I feel like I still took something away from it. Unit 2 was interesting as it covered perspective, which is something I haven’t particularly found myself delving in to much over the 15 years I’ve been studying art. It was generally assumed that perspective was just a matter of getting the proportions and distance of what you were looking at right. Unit 2 took a more…’geometry-based’ approach (if that’s the right term to describe it) which actually had me searching the library to find out more. Next week I’ll be reviewing the book ‘Perspective & Composition’ by Barrington Barber. Perspective isn’t something you generally always have to worry about in the world of Illustration and I’ve found many inspiring pieces that appeal to the eye that aren’t in perfect perspective. It got me thinking of my own work though and how I’ve dealt with perspective without using the system described in Unit 2. Generally, I rely greatly on my own perception and trust what my eyes are seeing. I remember being just 8 years old and a teacher saying to me: we often draw what we think we should see, not what we actually see. I’ve remembered this ever since and always make a point of saying this to myself when I’m drawing from life. Below is an example of how I’ve used perspective relying on this concept.

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‘Union Street’ by Hanna-Mae Williams

At the moment I’m working on a still life piece that focuses on using shading to create depth. The advice given was to focus on the display as a whole. This is a real challenge for someone like me who often gets bogged down in the details! But I’ll be posting the finished piece soon. It feels good to be working in pencil again and taking time out from life to be creative.

 

 

 

 

This month’s ‘three to see’: handmade books

Last week I reviewed the book ‘Making Handmade Books’ (link) by Alisa Golden. Keeping with the theme this week I’ve decided to bring you some wonderful examples of books made by talented craft enthusiasts, which would make wonderful gifts, or maybe even inspire you to learn the craft yourself!

Immaginacija Bindery – Lucie Forejtova

I love Lucie’s work and think her handmade sketchbooks would make a wonderful unique gift for an art lover. Lucie creates everything from mini notebooks to planners, albums and more! Her online shop is full of treasures! I especially like her ‘sensory journal’ and recycled paper ‘rainbow notebook’.

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‘Sensory Notebook’ by Lucie Forejtova
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‘Weekly Planner’ by Lucie Forejtova

 

Jenny Robson Design – Jenny Robson

As a vegan I feel it’s important for me to promote businesses that are concerned with animal welfare and use ethical materials. I was so happy to come across someone who sold unique, vegan-friendly handmade books. Jennie’s lino print notebooks are quirky and affordable, with my favourite being her recycled A5 heart design journal.

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Jenny Robson, A5 Notebook

 

The Book Case -Pippa Mac

In Pippa’s own words she has a ‘passion for paper’ and you can see she’s very skilled at what she does! I’m in love with her beautiful books, especially her ‘Garden’ note/sketchbook (below). So beautiful!

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‘Garden’ note/setchbook – Pippa Mac

 

And finally here’s one of my own handmade books. Bookmaking is an enjoyable craft and it’s a lovely feeling looking at your finished product after all your work. This one was made using materials I already had in my stash, including upcycled/recycled elements.

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Happy crafting!

 

Monthly Review: Making Handmade Books

Last week I showed you some ways to use up your leftover wrapping paper from Christmas, including how to make a boring notebook look a little more interesting by covering it with paper. It got me thinking about how over the years I’ve liked to create my own books and folders to suit my needs (in fact I’ve only just recycled the planner I constructed two years ago; I made it to suit everything I needed, including a to-do section,a shopping list section,a notes section,an emergency contacts section,a day-by-day plan section, and even an inspiration section for when I was low and in need of focus). As someone who loves to work things out and create my own patterns (it’s the asperger’s in me! I love to construct/deconstruct things!) I’ve spent many hours working out measurements for folders,books and boxes. However, sometimes a little inspiration is useful in creating new designs, and for those who aren’t sure where to begin it’s good to have some step-by-step instructions along with lots of visuals. In my second year of university we had an exceptionally brief workshop on bookmaking, which actually set me off on the joy of creating my own books and folders. In the workshop a book was recommended and that’s the book I’ll be reviewing today: Making Handmade Books, by Alisa Golden.

Full title: Making Handmade Books 100+ Bindings, Structures & Forms

Author: Alisa Golden

Price: £9 – £20

Where to buy: Waterstones, BookDepository, Amazon, Ebay

Brief description: Step-by-step instructions along with a generous helping of visuals showing you how to create many different books, wallets, folders and more.

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The Good

For me the best feature of this book is the use of images. I benefit greatly from being shown visually what to do in addition to just being told/given written instructions so this book is great for both text-based learners as well as more visual learners. However, not every single step is shown, just ones that the author deems most in need of extra explanation.

The second thing I like about this book is the layout. Each project is divided clearly, with a bold title for each. Each step is also clearly numbered and diagrams are labelled. I feel this approach is very useful for those who struggle to follow instructions, as it allows you to break your project up into smaller bits, allowing you to focus on one step at a time.

Another thing I like about this book is that you get more than you may have initially expected. You learn not only how to construct some interesting books/folders etc but you also find yourself discovering some unique artists. As someone who enjoys learning, I read the ‘Artist’s Bio’s’ section with curiosity. I feel this would also be useful for art and design students who may wish to research the artists further.

Continuing with the topic of ‘extras’ this book is full of them! In addition to the bio’s the book also includes several pages dedicated to ‘Ideas & Concepts’, complete with inspiring images and stories of interesting collaborations.

The not-so-good

Whilst the book provides lots of information and numbered steps to guide you through each stage of your project, some designs are particularly difficult. The majority would be too complex for children, which is why I feel this book is aimed at adults and older teenagers. This is a foray into the world of serious bookmaking as an art form, rather than a weekend project to occupy children. I admit that some of the designs put me off as it was evident that a lot of time and concentration would be needed and the diagrams themselves were very complex (for example the ‘Tetra-Tetra Flexagon’).

The only other potentially negative point is the need for specific tools for some of the projects. For example, linen tape, awl, certain boards.

Conclusion

Personally, I would recommend this book to anyone who has a serious interest in bookmaking. I think it’s best suited to adults and older teenagers, particularly those on design courses or who have a love for making and creativity. I find myself revisiting this book on regular occasions and for myself it has been worth every penny. The price is reasonable and it can be found easily.

 

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Monthly tutorial: Fun paper projects

Before Christmas I promised I’d show you some crafty ways of making use of that mountain of wrapping paper that inevitably amasses after Christmas day. If you’ve recycled your paper already (some papers can’t be recycled, see last months post here: link) this is a good way to use up those annoying bits that are too good to recycle but that clutter up your wrapping stash.

Please forgive my less than perfect photos, my 8 year old digicam has served me well but I have a suspicion it’s on its way out!

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You can easily find origami tutorials online and your library may even stock some books. If your new years resolution was to try a new craft, what better excuse to give it a go? This works best with thicker wrapping papers.

Another craft you may enjoy (and which I find very relaxing) is decoupage. You can buy special materials such as decoupage papers and glue/sealer but really all you need is some thin wrapping paper and PVA glue. It’s so simple you can get stuck in without much preparation. The Range stock extremely reasonable wooden shapes. I’ve used a little wooden birdhouse.

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You will need:

  • Your base shape (such as my birdhouse)
  • Scrap wrapping paper
  • PVA glue
  • A paintbrush
  • A container with a little water in

Instructions

  1. Tear your wrapping paper into small pieces
  2. Mix a little bit of water in a pot with a blob of PVA glue (make sure to stir well until fully mixed)
  3. Paint a thin layer of your PVA mix onto one area of your shape and put bits of wrapping paper over it
  4. Paint over with your PVA mix
  5. Keep layering and painting on glue until you’ve finished the entire shape
  6. Put somewhere to dry

Useful Tips

  • Don’t mix your glue with too much water or your paper won’t lay flat
  • Smooth the paper as you go along to get rid of any lumps and bumps (yes, you will get a little messy!)

 

This is great to do with children as it’s simple and your get results quite quickly. The next how-to is also fun to do with slightly older children but again be prepared for gluey fingers!

Paper beads

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You will need

  • Left over/scrap wrapping paper
  • cocktail sticks or kebab skewers
  • PVA glue

Instructions

  1. Mix a small amount of water with PVA glue
  2. Cut strips of wrapping paper approx 1/2 cm in width (the length you use will depend on how layered/thick your beads will be)
  3. Get one of your skewers/cocktail sticks and loosely wrap your paper once, fixing it with a dab of glue (try to avoid getting too much glue on the wood or you won’t be able to get your bead off later!)
  4. Continue to build up, adding a coating of glue as you go and smoothing out gently with your fingers
  5. Once you reach the end of your paper strip, make sure the outside has a coating of glue and either put your bead stick somewhere to dry or continue using it
  6. Leave until completely dry (the glue will have given your beads a slight gloss and hardened them up) then gently twist to get your bead off the stick.

Tips & Notes:

There are two ways you can make your beads, either tapered at the ends or just even. To get a tapered effect (like the red beads above) your beads will be a bit longer as you need to work from one side to the other. The easiest way is to just keep rolling your paper up, but once you’ve practised a little you can start trying other ways of wrapping.

This works best with brighter, patterned paper and you can use this method with fabric too. Get creative and try wrapping bright threads around your beads!

The most useful tip is to NOT WRAP TOO TIGHTLY around your cocktail stick/skewer as you won’t be able to get your bead off. I made this mistake myself when I started learning to make paper beads but you’ll soon get the hang of learning just the right ‘hold’ on the stick.

Whilst I waited for my wrapping paper beads to dry, I made a bracelet using some paper and fabric beads I’d already wrapped before. For these I used scraps of handmade paper, felt scraps, recycled sari material and even some left over paper I’d been stamping on (rubber stamping that is! Not foot stamping!)

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