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Hanna-Mae Illustration

Illustrator & eco clothing designer

Month

October 2018

Monthly tutorial: Halloween treat bag

Halloween is coming up so this month I’ll be showing you how to sew your own mini drawstring treat bag. As my blog followers will know I’m a huge fan of recycling/upcycling material (take a look at my eco wear: link) so when I was given a stash of random bits of material I was keen to get stuck in and get sewing again. I hand-sew all my items as I like the control and the feeling that i’m really engaging with what I’m doing. I also feel that hand sewing can be therapeutic due to the repetitive motion and concentration it requires but this bag can be done using a sewing machine if you don’t have much time. Some materials are easier to work with than others. Generally speaking thinner cotton fabric is quite easy to work with. The spiderweb material I used had a lycra-esque quality to it which made it difficult to work with, for this tutorial I recommend sticking to non stretchy fabrics.

You will need:

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♦ A cutting mat (optional but useful!)

♦ Fabric scissors

♦ Fabric marker/pencil

♦ Pins

♦ Sewing needle

♦ Cotton thread (in colours matching your material)

♦ A piece of material measuring at least 32 x 18 cm

♦ A piece of contrasting material measuring at least 32 x 8cm

♦ 2 pieces of ribbon approx. 32cm

Step 1

You’re going to need to cut out two pieces of material for the main part of your treat bag. Using a fabric marker/pencil, mark out two rectangles measuring 16 x 18 cm and cut out.

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Step 2

For your casing you’ll need to cut out two rectangles measuring 16 x 8cm.

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Step 3

To give a neat edge, fold shorter ends of your casing over 1cm and pin in place before sewing. I used basic backstitch.

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Step 4

Pin your larger pieces of fabric together around three edges (2 long edges,1 short) with the wrong sides facing. Sew with 1cm seam allowance and turn the right way.

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Step 5

Take your casing pieces and fold in half so you can see the neat side of your stitching. At this point if you have time it’s good to press your pieces with an iron but as I had limited time I skipped this step. It just makes your material more well behaved and neat. Pin your folded pieces to the top of your bag (raw edges at the top)

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Step 6

It’s up to you how far down you wanht to sew, the further down you sew the less of the contrasting material you’ll be able to see and bear in mind you’ll need to be able to get your ribbon through. As I had a gap at the top of my material where the spiderweb pattern stopped I chose to sew quite low down, just above half way but anything 1cm or over is fine (providing you can fit your ribbon through).

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Step 7

Turn your casing in. This is also a good time to press your material to keep your joins/edges crisp. Please remember that some fabrics can only be pressed at a very low heat though! Stretchy fabrics can actually melt. If you’re using cotton as recommended this isn’t a problem.

Step 8

Attach a safety pin to the end of your ribbon and feed it through the gap you’ve made with the casing.

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And there you have it, your own unique Halloween treat bag! This pattern is so versatile, it can be used for any occasion, including Christmas and birthdays. You can alter the sizes to make a smaller or larger bag and is a great way to use up scraps of fabric.

Happy Halloween everyone!

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Monthly Review; An oldie but a goodie

When I was a teenager I was obsessed with the work of Brian Froud and remember going into Waterstones (though back then it was an ‘Ottakar’s’) with my best friend and spending hours flicking through the pages with excitement. I had my first taste of Froud’s work as a 14 year old (with a growing interest and attachment to art) in the small art room at the education unit I attended for a year and was sucked into the magic of this other world that I wanted to enter for myself. Looking at the ethereal illustrations in ‘Good Faeries Bad Faeries‘ I knew I wanted to see more of this artists work. There was something about it that just sucked you in to this other realm and for that time it was like real life was on hold and we had entered this universe.

When I could, I bought some of Froud’s books, the first being the book I will be reviewing today: ‘A Field Guide to Goblins; The Goblin Companion’, followed by ‘Brian Froud’s Goblins!‘ and eventually the one I found most pleasurable to spend time exploring: ‘Lady Cottington’s Pressed Fairy Letters‘ (which I’ll be talking about next month – keep an eye out for November’s review).

Being the first book in my Froud collection and still bringing me joy all these years on, today I’ll be guiding you through this little wonder and maybe even introducing you to a world you didn’t even know existed; the creative (but often slightly eccentric!) world of Brian Froud.

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Title:  A Field Guide to Goblins; The Goblin Companion

Price: Pennies (used) – £35 (new)

Where to buy: Amazon, ebay, World of Books, AbeBooks

About: A pocket-sized collection of some of Froud’s Goblin artwork ‘captured and catalogued’ (so the book states) by Terry Jones. Information and images of various Goblins, giving you a ‘who’s who’ of the Goblin world.

The Good

If you love looking at other people’s sketchbooks this book is for you! Often in books we see only very polished versions of illustrations, which is why Froud’s book is so refreshing. Yes, you’ll see his complete work but you’ll also see works in progress and rough sketches. It’s interesting to see how his ideas develop and you get a real good glimpse into the imagination of this quirky artist’s work.

Another area that this book excels in is aesthetics. It’s evident that everything about this book has been carefully thought about. From the fonts used, to the annotations, to the tinted pages. All this contributes to the feel of the book and assists in drawing you in to Froud’s imagined world.

Whilst the best aspects of the book are of course the content, I have to mention the price. If you’re just getting interested in collecting Froud’s books or are looking for a gift for an art/illustration fan, this is an affordable place to start. Officially priced at an inexpensive £5.99 this book can be picked up online for even less.

The not so good

Whilst Froud’s books are always guaranteed to be a little…unique, shall we say, I have come across people who found the text (particularly in the introduction) to be a little confusing. I admit that it’s what some would consider a little bizarre but Froud fans would expect nothing less! In regards to intended audience Froud’s books can be deceiving. This isn’t an average children’s book…in fact, the majority would argue this isn’t a book intended for children at all! Though from the subject matter and the high volume of illustrations those unfamiliar with Froud would be forgiven for thinking so at first glance. This makes it difficult to judge what age range this book is suitable for, though I personally feel this is suited to teenagers all the way through to centenarians! The language used is too complex for children, though I’m sure they’d appreciate the host of unusual characters they’d meet if they were shown them.

So is it worth it?

Yes! In my opinion it’s worth every penny. As an illustrator this is definitely my cup of tea, as someone who still reads fairy tales and myths, this certainly satisfies that interest and as someone who likes to collect beautiful books to look at time and again, this is one of them. If you’re creative, interested in illustration or have a liking for fantasy, this is your book.

Rating: 4.5/5

Tip: If you like what you’ve read Waterstones has a huge collection of Brian Froud books. Take a look here: Link

If you’re a Froud fan (or become one!) check out the work of artist Amy Brown. You can find her website and see some of her work here: Link

What’s so special about 11th October?

What a week since my last post! Having been eager to really get stuck in to my artwork I found myself on pause as a fibro flare-up engulfed me! Thankfully I’m feeling much better and after a few days of giving in and resting (in addition to practically bathing in ibuprofen gel and having a heat pack permanently attached to my shoulders) I’m ready to get to work again.

I managed to get some sketching done early last week for my second project (which terrifyingly has a deadline of 3 weeks!) whilst my Christmas card design took a bit of a back seat. After several months of experimenting with other mediums I use less often (gouache, watercolour, pastel) I’m back to my old favourite: water-mixable oil paints, though I use them as though they’re ‘real’ oil paints, thinning them out with Liquin Original. I’ll be revealing the complete card design at a later date but for now have some sketches for my other project to share with you.

It feels good to work more freely and just experiment rather than go in straight away wanting my work to be perfect. My process has altered slightly over the past year as I’m allowing myself to play around more with designs and have a rough draft that I then improve on rather than jumping straight from rough thumbnails to final piece. This ‘middle’ step feels the most enjoyable as you can play around with so many possibilities.

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I’m also eager to get back to sewing,particularly as I’ve recently been given a stash of beautiful material that would otherwise have been dumped. My followers will know how important keeping my sewn items as eco-friendly as possible is to me. I recently received an email that gives me the perfect excuse to get my needle and cottons out again. October 11th is ‘International Day of the Girl Child‘ and to celebrate this the charity ‘Days for Girls‘ have set up the ‘Global Girls Festival‘ running until the 1st November. There are several ways you can volunteer with Days for Girls, but the most creative way is by becoming a solo sewist, setting up a sewing team, or joining/founding a chapter. ‘Sewists’ create what’s known as the ‘D4G Kit‘ which is then sent on to young women in deprived areas of the world. You get access to all their patterns, can get support in the D4G ‘Kit chat’ group on facebook and of course get to scratch your creative itch whilst doing good. I have a feeling that stash of colourful fabric I’ve been given will be put to good use this month…

Autistic and artistic!

It’s hard to believe that it’s October already, this has been a difficult year of significant loss for me but I finally feel like I’ve got my passion for art back. Lately I’ve been working on two projects, though one has taken a bit of a backseat as I’m focusing more on developing my more relaxed illustration style (which I’m doing through designing Christmas cards) whilst the other I have a feeling is going to go down a more detailed fine art route.

I’ve been enjoying just sketching out some ideas and building on them and it feels good to be creative but not worry so much about detail and the piece being ‘good’. I’m focusing more on the feeling rather than the technique. Whilst it feels so satisfying to finish a detailed piece I feel more inclined to think ‘i’ll spend this spare time working on that piece’ when it’s more relaxed. It’s not the most serious of subject matter but I’ve been working on creating a cute card design that’ll give a ‘cosy’ festive vibe.

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These are obviously just the very first steps, just my first rough sketches. Now that I have some ideas though I’ve started transferring these ideas onto mixed media paper (i wanted a bit of texture so I chose fine grain heavyweight paper (you can read all about selecting the right papers here: Choosing the right sketchbook )

As well as cracking on with my art projects last Friday I went to the Welsh Autism Show in Cardiff which was packed with information and resources. What I was especially pleased to come across was some fellow ASD artists and their brilliant work. Find out more about their work by clicking the names below. (Please bear in mind images are copyright).

Michelle Chick

Michelle is based in South Wales and has qualifications from the University of Wales in Cardiff. Her art is so detailed and she uses a variety of mediums, from watercolour to gouache and acrylics.

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‘Goldhill’ Michelle Chick
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‘Castle Combe’ Michelle Chick

 

Patrick Samuel

I loved how colourful and expressive Patrick’s work was and how he’s embracing neurodiversity rather than seeing it as a barrier.

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‘New World’ Patrick Samuel. Acrylic
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‘Time for Reflection’ Patrick Samuel. Oil pastel

 

Chris Baker

When I saw the work Chris had on display I was amazed by how realistic his drawings were. In fact, my companion thought they were photographs! It’s evident how much care and attention goes in to each piece. Chris is a self-taught artist and is available for commission.

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Chris Baker. Pencil

Have a creative week!

 

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